Hand-made replica 17th century English playing cards, based on museum originals.
Dougherty was at the forefront of innovation, adding Best Bowers and then Jokers, rounded corners and various types of indices, or indicators, to his cards.
Art Deco fortune telling deck published by Piatnik, 1936
Pictorial playing cards published by C. Bartlett, New York, 1833
Bergmannskarte, manufactured by Industrie Comptoir, Leipzig, c.1816
Based upon one of the oldest ‘standard’ patterns, the Kings and Queens are three-quarter length figures whilst the Jacks are full-length with legs giving the impression that they are walking about!
Bjørn Wiinblad (1918-2006) was a Danish painter, designer and ceramics artist
Arabic playing cards designed by Evy Maros & Mourad Boutros, c.1990
Wüst's Swiss Cantons souvenir deck was published in Frankfurt in c.1875 for the emerging tourist market.
Transformation playing cards designed by Carl Johann Arnold (1829-1916), the court artist for King Friedrich Wilhem IV of Prussia
“Carte per Signora” patience pack was produced by Fratelli Armanino, Genova, in c.1897
A Victorian card game telling a story of a victim being ensnared in a trap, being caught, and finally escaping.
Marseille Tarot cards by Charles Cheminade of Grenoble, France, early 18th century.
The design of the figures is very agile with excellent colour harmony and execution.
“Circus No.47”, first issued in 1896. The staid old Kings, Queens and Jacks have given way to various well-known ring masters, clowns and queens; dashing circus designs. Indeed, the clown Jacks are only a short step away from Jokers!
These cards are from neatly etched plates, and are carefully coloured. The court cards present full-length figures in character costumes.
In 1804, J.C. Cotta, a publisher and bookseller in Tübingen, Germany, produced the first set of transformation cards that was published as an actual deck of playing cards.
Transformation playing cards designed by the illustrator, comic artist and stage designer ‘Alfred Crowquill’ (Alfred Henry Forrester, 1804-72), printed by Reynolds & Sons, c.1850.
Czech “Hussite” Pack engraved by Karel Hoffmann and first printed by Jan Ritter in 1895.
Daveluy produced card games between c.1840 and 1890. Many of his playing cards have historical connotations and show figures with a landscape background.
This deck was apparently made to commemorate a Shooting Festival held in Leipzig in 1884
Baraja IV Centenario Don Quijote is the work of artist Vicente Arnás, published by Asescoin, Madrid, 2004.
The luxury playing card factory founded in Frankfurt am Main by Bernhard Dondorf in 1833 existed for 100 years and was a particularly attractive chapter in playing card history.
After the Second World War, the deck continued to be produced both by the VEB Altenburger Spielkartenfabrik as “Rokoko” and by ASS-Spielkartenfabrik, Leinfelden-Echterdingen as “Baronesse”.
“Cartes Comiques”, published by B. Dondorf, 52 cards (no Joker), printed by chromolithography, square corners, 65mm x 94mm, c.1870-1888. The reverse shows Cinderella and the Prince in a casement, their faces forming a Heart and Diamond, with Club and Spade in vignettes below.
Another of Dondorf's masterpieces of chromolithography, the detailed artwork on these cards has multiple tints and highlights giving the figures a brilliant, glossy character.
The Queens, who wear short sleeved dresses with bonnets adorned with chin straps and roses, hold a rose, a fan, a bird or a letter.
Dondorf's Luxus-Spielkarte “Vier-Erdteile” (“Four Continents”) was first published in c.1870 and has been re-published in several editions, variations and formats since then.
A new ‘medieval look’ is intended to suggest the power and virtue of the German character. The Kings lead the church and the army, protecting the empire; the noble Queens represent the power of love, domestic virtues and art; the Jacks portray chivalry, hunting, poetry and music.
Although not historically accurate this example is subtitled “Stuart period”, with rich costumes for the Kings who resemble little emperors; luxurious accessories for the Queens and flamboyant Jacks all creating associations with an imaginary period sometime before the French Revolution.
Dougherty first secured a patent for “Triplicates” in 1876, a novel type of indices with a miniature card in the top left-hand corner (and bottom right). These kept Dougherty at the forefront of innovation.
The English Playing Card Society's 10th Anniversary Transformation Playing Cards designed and produced by Karl Gerich, 1993
Philibert published an outstanding series of exotic, artistic playing cards in Paris from 1954 to 1960, including: St Hubert Bridge, Can-Can, Le Florentin and Mémoires de Casanova.
Lightly risqué luxury playing cards published by Éditions Philibert of Paris in 1956.
The suit signs and indices are clear and easily recognisable, and each suit has a different predominant colour. The juxtaposition of traditional craft techniques with abstract modern design could be seen as postmodern.
The Eglantine Table, Hardwick Hall, Derbyshire, elaborately inlaid with marquetry depicting musical instruments, playing-cards, games and heraldic references.
Playing cards commemorating the IX centenary of the death of ‘El Cid’ designed by Vicente S. Algora.
The courts are full-length figures of English historical personages.
Set of medieval playing cards has 52 cards with King, Queen, Knave and numeral cards from one to ten in each of the four suits of dog collars, tethers (for the hounds), nooses (for birds or small game), and hunting horns. These suits refer to the activity of hunting, as practised by the nobility.
Gedimino Stulpai playing cards made in Lithuania by Spindulys Printing Co., Kaunas, depicting Lithuanian national symbolism.
Globe Trotters follows the journey of a group of travellers who depart from Genoa by ocean liner and sail to the Orient for the ultimate travel experience.
Goodall's “Japanesque” brand was used for stationery products since around 1880 but these playing cards were added to the range in around 1900
A magnificent example of Goodall & Son's range of chromolithographed Commemorative playing cards from the late nineteenth century.
Boulanger's paintings and graphic art works are easily recognized. The Latin American influence is an integral part of her work. The use of light and contrasting colours are reminiscent of her years spent in La Paz, memories of her native country.
Transformation playing cards by H. F. Müller, Vienna, 1809
Fortune Tellers use the Hafez Cards by interpreting the Hāfez poems printed on the card backs when cards are selected randomly by their consultants.
Happy Families is probably one of the most popular card games ever invented, with educational benefits relating to sorting and matching of sets, as well as early literacy and elementary genealogy, flowers or bird identification, etc.
Tobacco insert cards were a very successful marketing innovation which started in the nineteenth century.
Playing cards depicting imagined residents of St. Petersburg with illustrations by Alexei Bobrinsky