Lyon Pattern type iii
This pattern was used in various parts of eastern France but was ultimately replaced by the official ‘Paris’ pattern in c.1780.
Lyon Pattern
Anonymous manufacturer, c.1765-1780
In 1701 a law was passed in France which specified a fixed design for each of the nine regions which card makers were required to conform to by the tax authorities. This uncoloured proof sheet shows the Lyon regional pattern in its final state, before it became obsolete around 1780. The designs, of course, had evolved from much earlier late medieval models but here they show signs of being produced in a stereotyped manner, for example in the clothing and hands. This pattern was used in various parts of eastern France throughout the eighteenth century but was ultimately replaced by the official Paris pattern in c.1780. The King of Hearts carries a hawk on his wrist, while the King of Clubs holds an orb with a surmounted cross. All the Queens hold fans as well as flowers; the Jack of Clubs carries a shield.
Above: detail from an anonymous, uncoloured woodblock print of eighteenth century 'Lyon' pattern cards. They would have been stencil-coloured and the suit symbols added in the empty areas at the top. The top row shows King, Queen and Jack of Hearts; the second row shows Queen, Jack and King of Clubs. Image courtesy the Public Library of Cincinnati and Hamilton County.
Above: a slightly later coloured varsion of the Lyon pattern. Image courtesy Marya Van't Hul.
Ten of Clubs: This was the first card ever drawn by Louis XIV in play (when he was under the age of ten). Cardinal Mazarin kept the card more or less as a souvenir and it was found in his belongings when he died some forty years later.
By Simon Wintle
Spain • Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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