East Slavonic Mythology designed by Aleksey Orleansky (1994) featuring creatures from the watery underworld
In the style of religious icon paintings, these court card figures wear costumes reminiscent of the mid-17th century
“Cossack” playing cards, with artwork by O. Panchenko dedicated to the revival of the traditions of the Cossacks. Printed by the Colour Printing Plant, St Petersburg, 1994
The first of two decks designed by Ukrainian illustrator Vladislav Erko for “Korchma Taras Bulba” restaurant which serves traditional Ukrainian cuisine
“Pekelna Horugva” is the second deck designed by Ukrainian illustrator Vladislav Erko, manufactured by Nage Cards, Saint-Petersburg, 2012
Russian “Historical” playing cards with designs by Nikolay Karazin, 1897
Russian Opera & Theatre Scenes playing cards first published by the Colour Printing Plant (USSR, Russian Federation) in 1973
“Maya” playing cards were designed by Russian artist V. M. Sveshnikov and first published by The Colour Printing Plant, St Petersburg, in 1975.
“White Palekh” was first published by the The Colour Printing Plant in St. Petersburg in 1982 with designs by Pavel Bazhenov
Originally published as “Slavonic Cards No.501” by The Colour Printing Plant, St. Petersburg, in the 1920s
“Seasons” playing cards published by The Colour Printing Plant in St Petersburg in 1971, designed by U. P. Ivanov
Russian style “Slavic Costumes” playing cards first published in 1911
Playing cards showing the influence of ‘Jugendstil’ manufactured by the Soviet Playing Card Monopoly (U.S.S.R.) 1930
Russian “Historical extra fine No.204” Playing Cards depicting Ancient Dynasties, 1920s
The Russians were no strangers to propaganda cards. Clubs represent the Russian Orthodox church, Hearts Roman Catholicism, Spades Confucianism and Diamonds represent Judaism. The Joker is depicted as a top-hatted Capitalist holding the strings of the four religions.
Playing Cards by Unknown Publisher, Georgia (Russia) 1920s
Derived from Jagdkarten or Hunting cards with patriotic overtones and rural scenes as vignettes on the numeral cards, the Prussian pattern coincided with the emergence of politically ambitious Prussia in the middle of the nineteenth century. The figures are largely drawn from the Prussian bourgeoisie.
The rigour of simple geometric forms with an inner life and poetry which emanated from the richness of colour, the musicality of rhythm, the vibrant breath of the execution...
In 1943 a pack of ‘anti-fascist’ playing cards was designed by Vasiliy Andrianovich Vlasov mocking the rulers of Germany and the Axis powers.
Cards from a Russian standard woodblock and stencil pack of circa 1820.
In 1817 the Imperial Playing-Card Factory (Leningrad) was founded and it played a benevolent role by channelling revenues to the Imperial Foundling Hospitals.
A rare American Russian political pack by J. Dravin, Roxbury Mass, 1909, depicting events and moods in early 20th century Russia.