The title refers to “a new form of Tarocchini”. Mitelli's designs are to a high standard of artistic quality and a complete departure from the old tradition, especially the 22 Trump cards which are unnamed and unnumbered.
“Tarocchino Lombardo” c.1835, a limited facsimile edition of 2500 by Edizione del Solleone, Italy, 1981.
Tarocco Piedmontese by Fabrica de Naipes La Primitiva, Defensa 125, Buenos Aires c.1890
The "Tarots Egipcios" was first published by Editorial Kier S.A. in c.1971 with Spanish titles, with a booklet (also in Spanish) explaining the cabbalistic meanings of the cards.
78-card 'Taroquis Marca Obelisco' published by Mario Colombo, Buenos Aires, during the 1950s, 60s & 70s, in the style known as "Tarocco Piemontese" which had been developed by Italian cardmakers during the nineteenth century.
This pack of tarot cards appears to have have been made for Francesco Sforza about the time that he became Duke of Milan (1450). The pack comprises an ordinary pack of playing cards augmented by a Fool (Matto) and twenty-one unsuited trump cards (trionfi).
The so-called Tarocchi di Mantegna are a set of 50 copper-engraved images (c.1465) which were probably a social game or instructional series for educated people. In fact they have nothing to do with Mantegna. The cards are numbered consecutively from 1 to 50, divided into the following groups: Society; Apollo and the Nine Muses; the Arts and the Sciences; the Seven Virtues and Sun, Time and the World; the Planets and the Spheres.
Italy is said to be the birthplace of the tarot, which according to playing-card historians was originally a card game invented in the fifteenth century.