Whist marker boxes
The Camden Whist marker was being advertised by Goodall and son in 1872 as a new product.
Anyone who has read any of my articles on this website will have gathered that I collect boxes associated with card games. I have many dozens of boxed sets of cards for whist, patience, bezique, bridge-whist, auction bridge, contract bridge, canasta, pinocle, poker patience, Kuhn Khan, etc. You name it and somewhere in my study there will be one, probably more, boxed sets of this type. They come in all shapes, sizes and materials, from the tiny leather or cardboard boxes of “Elfin” (Goodall & Son), “Pigmy” (De La Rue) or “Little Duke” (US Playing Card Co.) designed for patience games to huge boxes of games compendiums offering a variety of games…and all points in between. They are not rare and there is a huge range of quality from the “falling apart” variety to those which look as if they have only just been made. This latter group, I suspect, were Christmas, birthday or wedding presents which have been stored unused in a drawer from the day they were received until they found their way on to eBay, frequently with a grossly inflated price because they are old!
While playing card boxes are not rare, the boxes containing “loose” whist markers are much less frequently found. Most would have been discarded soon after they were purchased and their contents stored separately. If you do find an original box it is usually falling apart, and frequently does not house the item which it originally contained. I have a few examples of these rare survivors.
Here are two examples from Goodall & Son, all of which were hugely popular in the 1870s and beyond.
These are both boxes of “Camden” Whist Markers named after the district of London in which Goodall & Son was based for many years after their move from Soho to find larger premises as the company grew. All markers were sold in pairs, one for each playing partnership at the whist table. The markers on the left were packed one on top of the other and were the cheaper version with “pop-ups” made from contrasting woods. The version on the right, packaged side by side, were the more expensive version in hardwoods with pop-ups made from ivory.
The Camden Whist marker was being advertised by Goodall & Son in 1872 as a new product.
Above: Advertisement for the Camden Whist Marker, describing its styles and ivory indicators.
The second type of markers produced by Goodall were named after another district of London, “Pall Mall”. I presume this was because this was the area of the city which housed most of the gaming and recreational clubs.
The left-hand example has the very large label on the front of the marker and they were stacked one above the other. On the right is the more modest version of the “Pall Mall” marker with the tiny name label on the back. This boxed pair were laid side by side in a box twice the size of the others. It has never been clear to me why one version of the same-named product has a tiny name tag on the bottom side, while another has a hugely ornate design across the middle of the top. Was this an evolution in promotion to get the name better known? Was it reflected in the price purchasers were expected to pay? Who knows? If someone out there does, please let me know.
My last two examples of Goodall boxed markers show the evolution of the genre.
The “Foster Whist Marker” was a new design marketed from the 1890s and pictured here with an advertisement from 1908. Instead of “pop-ups” this new design used revolving “indicating devices” which were made of ivory in the expensive examples, and from contrasting woods for the cheaper versions. The markers lie side by side in the box. It is worth noting, in passing, that in the same 1908 publication[1], the “Camden” whist and bezique markers are also still being advertised.
One further Goodall example is a rare find: the combined “Cribbage and Whist Marker”, with sliding compartment containing small scoring pegs.
At this point in its evolution, cribbage was played two-handed with five cards each, aiming for a winning score of 61. For whist, the pop-ups were used in the usual way. The markers are boxed one on top of the other. I particularly love this box because two of the corners are repaired using what looks like the marginal edges of a sheet of penny red stamps which ceased production in 1879!
My final example is from Goodall’s main rival, De La Rue.
Above: The Portland Whist Marker by Thos. De La Rue & Co., with its box.
The “Portland Whist Marker” was named after the celebrated London Club, “The Portland”, recognised through most of the whist-playing world as the final arbiter on the rules by which whist and other card games are played. This boxed pair, one on top of the other, are in the Goodall “Camden”/“Pall Mall” design but carry no markings on the markers themselves, only on the box. I have searched extensively and have found no examples where the markers themselves carry a name or logo. This seems unlikely for a company which was well-versed in self-promotion and advertising, but it may have been a hurried effort to keep up with the obviously massive sales being secured by Goodall at this time. If anyone can find a marker carrying the name Portland, please let me know and send me a picture.
I suspect that De La Rue were late to the market with a wooden, pop-up style marker. As late as 1889, in the back of William Pole’s book “The Philosophy of Whist”, amidst pages of adverts for De La Rue publications, they are still offering “Cavendish” markers for whist, Piquet and Bezique.
These were very popular from 1868 when the patent was first granted, and became the standard whist marker, usually in cardboard, in the absence of alternatives. They even tried a more expensive wooden version (right) but these were swiftly superseded in the 1870s by the various superior pop-up designs from Goodall.
By 1901[2], DLR were promoting their “Klik” series of markers, and so had moved from the cardboard “Cavendish” design to a completely new product, pausing only briefly to market a blank “pop-up” version in the style of Goodall.
Sadly for DLR, soon after this date, scoring markers were quickly superseded themselves by scoring pads as players realised that it was easier to use a paper and pencil to score the various versions of bridge than the gadgets so useful during the earlier whist years.
One final thought. When collecting artifacts, don’t forget the boxes. They are not as crucial in the market place as are the boxes which toy collectors crave (frequently more valuable than the toys themselves), but they do help to tell the story–even the repairs–and should be cherished.
Footnotes
By Tony Hall
United Kingdom • Member since January 30, 2015
I started my interest in card games about 70 years ago, playing cribbage with my grandfather. Collecting card game materials started 50 years or so later, when time permitted. One cribbage board was a memory; two became the start of a collection currently exceeding 150! Once interest in the social history of card games was sparked, I bought a wooden whist marker from the 1880s which was ingenious in design and unbelievably tactile. One lead to two and there was no stopping. What happened thereafter is reflected in my articles and downloads on this site, for which I will be eternally grateful.
Activity for Whist marker boxes
Sign in to comment or save this article.
Related Articles
Hand-drawn transformation cards, c1870
Whimsical pen-and-ink drawings copied from the Maclure, Macdonald & Macgregor transformation pack.
The Molassine Company and its link to Whist and Bridge
A savvy marketing strategy blending Victorian decorative design with Edwardian practicality.
Scientific Whist
“Scientific Whist” : standard cards with instructions for play on the faces by Chas Goodall & Son, 1...
Copechat Paramount Sorting System
Preserving the past: a specimen deck showcasing edge-notched cards and their ingenious sorting syste...
Pastime Playing Cards for the Blind
The “Pastime” Playing Cards for the Blind manufactured by Goodall & Son Limd., c.1910.
Bridge Markers and bridge scoring methods
Bridge Markers and bridge scoring methods 1900-1930
A New Look at the Evolution of Whist Markers and Gaming Counters
This article aims to illustrate the evolution of whist and gaming counters from the 18th century to ...
Kuhn Khan
There is little information available about the early twentieth century card game Kuhn Kahn. It firs...
The Jovial Cards
Publicity items for a group of entertainers, Southend-on-Sea, Essex, UK, 1911.
Leather Card Case Patent Application
In 1932, a patent was granted to Colin Hart and George Franklin for a leather case in the form of a ...
The Evolution of Whist and Bridge Boxed Sets, 1870s – 1930s
Boxed sets of cards, markers, scorers and rule booklets have been around for many decades. Some of t...
Progressive Whist Cards - page 2
Wireless Whist itself, in many forms...
47: Welch’s postcards and De La Rue’s redrawing
There are a number of court card designs that have never actually been produced as cards. It's a sha...
Majority Calling and Value Bidding in Auction Bridge; a little bit of history
The centuries-old game of Whist mutated through various stages into Contract Bridge as we know it to...
Goodall c.1845-60
Goodall’s earliest cards were traditional in appearance but in around 1845 ‘modernised’ courts were ...
Music Manuscripts
Artwork featuring playing cards in Music Manuscripts
Draughts League Medals
Arthur Charles Prince worked for De la Rue as a playing card cutter and later was promoted to superv...
Pope Joan Trays
Some traditional Pope Joan boards comprise a circular tray, others are square, divided into sections...
Most Popular
Our top articles from the past 60 days









