Ashtadikpala “Eight Guardians” Ganjifa
Indian mythology meets the compass rose.
Eight deities, each a guardian of a cardinal or interacardinal direction, are assigned to suits in this magnificent ganjifa format celebrating Hinduism’s cosmic geography.
We’ll be comparing two Ashtadikpala decks: one from Bengaluru (Karnataka) in western India, and one from Chikiti (Odisha) in the east. Each deck consists of eight suits with twelve cards each. The pradhan (minister) court cards display the deities in their finery, riding the mounts associated with them (in Hindu iconography, gods carry particular items and ride specific animals). For the raja (king) higher court cards, the Chikiti deck shows the god riding in a chariot while the Bengaluru deck has the deity together with what I assume is his or her mate.
The pip cards use symbols associated with the deities: their weapons and their mounts for the Chikiti and Bengaluru decks, respectively.
The Chikiti deck was done by Appana Mahapatro in 1992; the Bengaluru deck by Sudha Venkatesh in 1996. These decks are boutique decks, not widely seen in ganjifa circles.
Above: Kubera pradhan, Kubera pip, Indra pradhan, and Indra pip cards by Appana Mahapatro (1992).
Above: Kubera pradhan, Kubera pip, Indra pradhan, and Indra pip cards by Sudha Venkatesh (1996).
The guardians are not simply personifications of compass points like the Greek god Boreas, who represents the north wind. In Hinduism, each guardian deity is a full god in his or her own right who also happens to rule one of the eight main directions. The gods, their mounts, and weapons are:
- North: Kubera, lord of wealth, who rides a human/mongoose and carries a mace/money bag
- Northeast: Ishana (a form of Shiva), who rides the bull Nandi and carries a trident/drum
- East: Indra, king of the gods, who rides the white elephant Airavata and carries a vajra (thunderbolt)
- Southeast: Agni, fire deity, who rides a ram and carries fire
- South: Yama, the god of the dead, who rides a buffalo and carries a staff/noose
- Southwest: Nirriti, goddess of destruction and decay, who rides a donkey and carries a shield/sword (sometimes represented as a male who rides a corpse)
- West: Varuna, a water deity, who rides a makara (fantastical sea creature) and carries a noose/water vessel
- Northwest: Vayu, the god of wind, who rides an antelope/deer and carries a banner/bow
The two styles are vastly different, each carrying the flavor of the region it's from. The Chikiti deck is painted with loose, folksy brushstrokes, employing bright hues. It stands in sharp contrast to the Bengaluru deck, which draws on the reserved and precise tradition of Mysore ganjifa, with emphasis on gold and deeply saturated colors.
Artist: Appana Mahapatro
Above: Agni pradhan, Agni raja, Varuna pradhan, and Varuna raja cards by Appana Mahapatro (1992).
Above: Yama pradhan, Vayu raja, Nirriti pradhan, and Ishana pradhan cards by Appana Mahapatro (1992).
Artist: Sudha Venkatesh
Above: Agni pradhan, Agni raja, Varuna pradhan, and Varuna raja cards by Sudha Venkatesh (1996).
Above: Yama pradhan, Vayu pradhan, Nirriti pradhan, and Ishana pradhan cards by Sudha Venkatesh (1996).
Footnotes
- All card images courtesy of: Indira Gandhi National Centre for the Arts, Digital Cultural Resources, IGNCA.
- IGNCA, Chikiti deck.
- IGNCA, Bengaluru deck.
By Lev Golinkin
United States • Member since May 26, 2026
I'm a US-based author and journalist. I've been collecting playing cards since I was about 8 years old, when I got mesmerized by the various decks that were used in Soviet Ukraine, where I'm from. I collect mainly European decks such as those by Dondorf, Grimaud, and Piatnik. I love courts above all else, and am drawn toward historical and artistic decks.
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