Lithuanian playing cards
depicting Lithuanian culture, from pink cold soup to the Gediminas Tower, each card tells a story.
A pack inspired by Lithuanian culture, produced by Make Heads Turn, a Lithuanian company based in Vilnius. Each of the 54 cards depicts a different aspect of Lithuanian everyday life. Not being sufficiently knowledgeable about the country, it has proven difficult to appreciate the significance of certain images, but having returned recently from a brief visit and with a little research, the rationale for inclusion can be identified. They include:
Cold beet soup (4D); Lithuania's national bird, the white stork (3C); the Hill of Crosses (5D); Vilnius Orthodox cathedral (5C); a basketball – Lithuania’s most popular sport (6C); the Gediminas Tower in Vilnius (8H); the Vilnius TV Tower (8D); acorns – the Oak (Ąžuolas) - revered in local folklore as a symbol of strength (9H); amber – nicknamed “Lithuanian gold” (10D); the cornflower or rugiagėlė - the national plant (QD); blueberries – the most common berry in the country (KS); the Chanterelle Green mushroom – representing the beloved cultural tradition of foraging (AH). In addition, there are some general everyday images (e.g. a police car, jar of honey, chess pieces, etc). See the box
Lithuanian playing cards produced by Make Heads Turn, Vilnius. artist not credited, undated.
By Peter Burnett
United Kingdom • Member since July 27, 2022
I graduated in Russian and East European Studies from Birmingham University in 1969. It was as an undergraduate in Moscow in 1968 that I stumbled upon my first 3 packs of “unusual” playing cards which fired my curiosity and thence my life-long interest. I began researching and collecting cards in the early 1970s, since when I’ve acquired over 3,330 packs of non-standard cards, mainly from North America, UK and Western Europe, and of course from Russia and the former communist countries.
Following my retirement from the Bodleian Library in Dec. 2007 I took up a new role as Head of Library Development at the International Network for the Availability of Scientific Publications (INASP) to support library development in low-income countries. This work necessitated regular training visits to many sub-Saharan African countries and also further afield, to Vietnam, Nepal and Bangladesh – all of which provided rich opportunities to further expand my playing card collection.
Since 2019 I’ve been working part-time in the Bodleian Library where I’ve been cataloguing the bequest of the late Donald Welsh, founder of the English Playing Card Society.
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