“26th Yankee Division Playing Cards” was designed by Alban B. Butler, Jr and printed by the Press of the Woolly Whale, New York, in 1933.
Naipes "ANGUS" designed by Gustavo A. Pueyrredón, depicting Aberdeen Angus livestock on the courts, special aces showing trophies and two jokers dressed as Gauchos.
Special pack for Aeronaves de Mexico S.A., designed by Ramón Valdiosera Berman, mid-1960s
Anna Gaber playing cards from Poland
In around 1909 he created three sets of playing cards. One set used grotesque imagery and visual puns from his caricatures and doodles, with the suit symbols integrated into the designs as hats or body parts. Another set (shown here) is more severe and geometric, with double-ended courts. His inventiveness was driven by a passion for rules, order and numbers.
Art Deco fortune telling deck published by Piatnik, 1936
This pack was issued during wartime, in 1941, under the name “Latvian Red Cross Cards No.7”.
Playing Cards printed by Ceska Graficka Unie AS, Czechia, Prague, 1890-1925
Karl Korab was born in 1937 in Falkenstein (Lower Austria), the son of a forester. As a child he experienced the horrors of World War II, which influence his artwork today. He studied from 1957 to 1962 at the Vienna Academy of Fine Arts at Sergius Pauser.
Possibly one of the most beautiful decks produced for commercial purposes, this was printed by Modiano for the Austrian Lloyd Steamship Company of Trieste in c.1895.
Baraja Cuauhtémoc published by Treviño Narro, Monterrey, Mexico Original artwork by P. X. Santaella featuring Aztec and other important pre-Columbian cultures.
Baraja Edad Media, fantasy Spanish-suited medieval playing cards published Mas-Reynals, Barcelona, 1993. Designed by M. Malé and illustrated by V. Maza.
‘Baraja Marinera’ designed by Francisco Javier San Juan, published by Asescoin (Madrid), 1995
Baraja Taurina was published by Enrique Guerrero, c.1950. Subsequently published as Poker Taurino by Clemente Jacques y Cia, S.A.
William H. Barribal (1873 - 1956) was a London artist who created the Waddingtons 'Barribal' playing cards series, which are avidly collected today.
The Basler Fasnachts deck is designed each year by a different local artist.
Bernhard Altmann is from the “The House of Cashmere” and these playing cards honour their best known commodity: the fleece of the graceful horned Cashmere goat. Hans Lang created the symbolic artwork for the deck, dedicating each suit to the group of people that had the greatest significance for Cashmere through the ages: Hearts-Indians; Diamonds-Mongolians; Spades-Persians; Clubs-Chinese.
Promotional playing cards produced for Bodegas Trapiche, designed to play Quartet games by collecting a wine bottle card with four matching glasses.
Brussels Euro Joker Club's 10th Anniversary deck, with artwork by Yvette Cleuter, was produced in a limited, signed and numbered edition of 400 copies.
The Carnival Playing Card deck was designed by Harry D. Wallace (1892-1977) and originally published in 1925 by the Carnival Playing Card Co., New Orleans.
“Casino” pack made by J. Müller & Cie & Cie, Schaffhouse. The pack was probably designed by Josef Maria Melchior Annen (1868-1954) who also designed several other packs for Müller & Cie.
Promotional playing cards created by A. M. Cassandre (pseudonym of Adolphe Jean-Marie Mouron, 1901-1968) with abstract, almost surrealist figures and ornamentation, but clearly inspired by medieval art and rendered into an Art Deco style.
King Christian IV anniversary pack, designed by Thora Fisker and printed by L. Jevison Junior, 1988
Deluxe Limited Edition Circus Transformation Deck designed by F. Robert Schick, 1988
In 1804, J.C. Cotta, a publisher and bookseller in Tübingen, Germany, produced the first set of transformation cards that was published as an actual deck of playing cards.
Transformation playing cards designed by the illustrator, comic artist and stage designer ‘Alfred Crowquill’ (Alfred Henry Forrester, 1804-72), printed by Reynolds & Sons, c.1850.
During the 19th century growing nationalist sentiment led to a rejection of Austro-Hungarian culture in favour of that of the native Czech people. One outcome from this movement was a ‘Nationalistic’ pack of playing cards painted by Emanuel Neumann.
Danbrit playing cards by Alf Cooke, 1930s
Playing card designs based on motifs from early Irish manuscripts and metalwork. Created and designed by Philip Murphy and Catherine Treacy
The design of a pack of playing cards involves a balance between utilitarian constraints and artistic possibilities.
Van Genechten was one of the most competent cardmakers in Turnhout and they produced almost every kind of foreign pack for clients all around the world.
Spanische Spielkarten "Naipes Finos" No.304, manufactured by B. Dondorf designed by the catalan artist Apel-les Mestres, Barcelona, 1902.
The English Playing Card Society's 10th Anniversary Transformation Playing Cards designed and produced by Karl Gerich, 1993
Einar Nerman (1888–1983) was a talented Swedish artist born in Norrköping who designed playing cards during the 1920s.
El Cid fantasy playing cards designed by E. Pastor, Valencia, Spain, c.1875
The court cards and indices on Estonian playing cards are Södur, Emand, Kuninga.
Naipes Argentinos para Truco "Falta Envido" created by Alberto Soifer and printed by Adans S.A., Buenos Aires, 1982. 40 cards, with Gaucho courts and variant suit symbols.
Designed by Emilio Soubrier, Ignacio Díaz and Augusto Rius during the 1880s as a new definitive national pattern.
A deck made specifically for Alpha Phi Alpha Fraternity, Inc., the first African-american college fraternity, for their 2000 convention.
Gallery of Playing Card Artists and Designers
In 1988 the Danish School of Design set the examination project to design a pack of playing cards. Thomas Damkier designed this royalty deck, called “Dronningespillet” (Game of Queens).
Stylish modern designs by the painter, decorator and ceramist Geneviève Lirola, featuring unity of colours in each suit.
Playing cards inspired by stained glass, designed by Gertrude Kümpel, 1989.
Boulanger's paintings and graphic art works are easily recognized. The Latin American influence is an integral part of her work. The use of light and contrasting colours are reminiscent of her years spent in La Paz, memories of her native country.
Olle Hjortzberg (1872-1959) designed these playing cards for Granbergs AB in c.1924 in ‘Art Nouveau’ style.
Aluminium playing cards manufactured by Häusermann United Chemical and Metal Engraving Co., Vienna, c.1925
'Humanist' pack made by J. Müller & Cie (Schaffhouse), originally named 'Troubador'. The pack was designed by Melchior Annen (1868-1954) who also designed several other packs for Müller & Cie.
Published by the Hycrest Playing Card Co., New York, c.1931. The large suit symbol behind each figure enhances the visual impact of the deck, as does the splendid back design & Joker.
Ibero-American Deck, designed by L. Palao, 1929
Innovative "Icelandic Chess" pack, designed by Tryggvi Magnússon and manufactured by Alf Cooke Ltd (Universal Playing Card Co., Leeds) in 1942.