Animal Tarot by Johann Jobst Forster

Published May 02, 2024 Updated May 02, 2024

French-suited 78-card animal tarot deck of the Bavarian type.

GermanyTarotJohann Jobst ForsterTarockBritish Museum

By the mid 18th century Tarot packs with French suit signs were being produced in France, Austria, Switzerland and Germany. Packs usually contained 78 cards with trumps displaying whatever appealed to the maker's fancy, such as popular imagery, oriental imagery, dancing, folklore or historical scenes instead of the older emblematic designs. Animal-themed Tarots were very popular in Germany and were used to play the game called Tarock.

There is a border around each card and the trumps have large Roman numerals at each end.

Animal Tarock by Johann Jobst Forster, Nuremberg, 18th century. © The Trustees of the British Museum Animal Tarock by Johann Jobst Forster, Nuremberg, 18th century. © The Trustees of the British Museum Animal Tarock by Johann Jobst Forster, Nuremberg, 18th century. © The Trustees of the British Museum

The Court Cards

The court cards are in Bavarian style, adapted from the French ‘Paris’ pattern with the addition of cavaliers or horsemen. The knave of clubs bears the name “Joh. Jobst Forster”.

Animal Tarock by Johann Jobst Forster, Nuremberg, 18th century. © The Trustees of the British Museum

Above: Animal Tarock by Johann Jobst Forster, Nuremberg, 18th century. 78 cards, hand-coloured woodcut, backs marbled, edges gilt, 59x110 mm. © The Trustees of the British Museum • number 1896,0501.212

References

Beal, George: Playing Cards and Tarots, Shire Publications, 1988.

Hargrave, Catherine P.: A History of Playing Cards, Dover Publications, 1966, 2000.

O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber (German 153), Trustees of the British Museum, London, 1901 [digital version here]

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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