Tarocchino Lombardo, c.1835
“Tarocchino Lombardo c.1835”, a facsimile edition of 2500 by Edizione del Solleone, Italy, 1981.
This historic tarot deck is beautifully detailed in the Italianate style. The original was finely and delicately engraved by the highly regarded Milanese engraver/illustrator Carlo Dellarocca, whose name can be seen on the base of the King of Bastoni. It was published by Ferdinand Gumppenberg of Milan but then reprinted by Bordoni in 1889. A facsimile edition of Bordoni's reprint was published in 1981 by Edizione del Solleone and is shown here. Some of the imagery in the cards is unique and not based on earlier examples. It is here that the engraver expresses his originality.
The Hermit carries a little open flame in a holder instead of a lantern →
Above: “Tarocchino Lombardo” c.1835, a limited facsimile edition of 2500 by Edizione del Solleone, Italy, 1981. 78 cards + title card. The original deck is hand coloured. The court cards conform to tradition, but have more individuality and personality than many decks. The Major Arcana cards have several unique features. The Death card is unlabelled. The Hermit carries a little open flame in a holder instead of a lantern. The Lover ('Gli Amanti') stands between his sweetheart and a king who rests his hand on his shoulder. The young man seems to be in a quandry between love and duty and must presumably make a commitment one way or another.
This deck was a massive commercial success, achieving a popularity that spread from Lombardy to Piedmont and Liguria. Its immediate influence and widespread copying by other manufacturers (Dotti, Bordoni, Armanino) provide the strongest evidence for the contemporary view: it was seen as a market benchmark and a desirable commercial product.
A set of preliminary drawings by Carlo Dellarocca for the trumps, court cards and aces, published by Gumppenberg, is preserved in the British Museum.
Above: some cards are inscribed in graphite with numbers and titles, but the sheets have been cropped top and bottom and the inscriptions are not fully legible. © The Trustees of the British Museum
REFERENCES
British Museum : number 1896,0129.1.112-156 ►
See also: “Tarocco Neoclassico” c.1810 • Tarot Heritage website→
By Rod Starling (1936-2023)
United States • Member since January 09, 2013
Rod Starling was one of the founding members of the 52 Plus Joker card collectors club. He authored many articles for the club's quarterly newsletter, Clear the Decks. His collection encompasses both foreign and American decks. Rod also authored a book titled The Art and Pleasures of Playing Cards.
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