Hunt & Sons, 1820-1849

Published February 20, 2010 Updated May 01, 2022

Hunt & Sons (1820-1849) was the first maker to modernise the court card designs with a complete re-drawing.

United KingdomHunt & Sons

Playing Cards manufactured by Hunt & Sons, 1820-1849

Having started in 1790 as Hunt, the company became Hunt & Sons in 1820. Hunt and Hall & Bancks joined forces in 1840, but kept separate aces and courts until the change to Bancks Brothers in 1849.

Piquet deck manufactured by Hunt & Sons

Above: 32 card pack with small size courts and George III garter ace of spades showing one shilling and six pence duty, manufactured by Hunt & Sons. Image courtesy John Sings.

'Superfine' woodblock and stencil playing cards manufactured by Hunt & Sons, c.1820

Above: 'Superfine' woodblock and stencil playing cards with George III garter ace of spades manufactured by Hunt & Sons, c.1820.

Hunt & Sons (1821-1840) was the first maker to 'modernise' the court card designs with a complete re-drawing which were printed mechanically by stereotype (below). These also became the house style of their successors Bancks Brothers

manufactured by Hunt & Sons, c.1822

Above: standard pack with modernised courts and George IV garter ace of spades showing one shilling and sixpence duty manufactured by Hunt & Sons, c.1822. Image courtesy John Sings.

Above: playing cards with re-drawn, 'rationalised' designs and 'Old Frizzle' ace of spades by Hunt & Sons, c.1830.

manufactured by Hunt & Sons, c.1830s

Above: playing cards issued by Hunt & Sons, c.1830s. Small size cards 56mm x 84mm with 'Old Frizzle' ace of spades. The court cards had been introduced by Stopforth in the Garter period. Image courtesy John Sings.  Next page: Bancks Brothers

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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