Five Suit Bridge
Five Suit Bridge was invented in Vienna in 1937 by Walter W. Marseille and Dr. Paul Stern.
Five Suit Bridge was invented in Vienna in 1937 by Walter W. Marseille and Dr. Paul Stern. At a time when cricket, chess and bridge were popular social games, special 66-card decks went on sale in the UK manufactured by De la Rue and Waddington’s with the fifth suit as crowns (called “Royals”). However, because the game was complex it proved to be unpopular, they were withdrawn in 1939 and have been forgotten. American versions made the fifth suit eagles, coloured green.
De la Rue’s Five-Suit Bridge
Waddington’s Five Suit Bridge
Update
First of all, the name. De La Rue seem to have called it "Five-Suit Bridge", while Waddington called theirs "Five Suit Bridge" (without the hyphen). Maybe that was deliberate in order to avoid litigation.
As for the extra suit, there were two Waddington versions, both using crowns. In the first, the crowns are green and the court card designs are taken from the Hearts suit in a standard Waddington English pattern pack. In the second, the crowns are blue and use the same Belgian-Genoese pattern courts as in the De La Rue version (albeit in a deeper shade of blue). I have only seen this second version in double packs. See the box►
Concerning the tax wrappers, as John Berry states in Part 1 of his catalogue of the Waddington Collection, "It is probable that the reason for the second tax-wrapper enclosing the extra suit is that the provision of the 1862 Act of 25 Vict c.22 was still in force; this Act stipulated that a pack of cards should not have more than 52 cards. It would, of course, have added 3d. to the retail price". However, of the two double packs in my possession, one has two tax wrappers (i.e., one for the first 52 cards and another for the extra 13 cards), while the other merely has one tax wrapper for all 65 cards! How is this possible?! Was there an attempt to avoid paying extra tax or was there a ruling from the authorities that it was unnecessary to wrap the extra cards separately or was it a mistake? Whatever the answer, it is odd that two types of wrapping were used for an item with such a short life (two years at most).
There was clearly some collaboration (or collusion) between De La Rue and Waddington concerning these cards since the names of both companies appear together on the backs of the two leaflets - "Five Suit Contract Bridge Rules of Play" and "Five Suit Auction Bridge Rules of Play" in Waddington's packs. The first of these leaflets appears to have been printed in black to accompany the single packs with green crowns and in red to accompany the double packs with blue crowns. The leaflets with the De La Rue packs differ in look from those with the Waddington packs but also mention both companies on the last page. - R.S
Additional comments
In the 1920s and 1930s, the game of bridge was undergoing significant changes and could have developed in various ways. Attempts were made to advance it from Auction Bridge, such as introducing 6-handed bridge in the early 20s and 5-handed bridge in the late 1930s. However, it was Contract Bridge that eventually gained popularity and became established. Looking back with hindsight, it might seem like a natural progression from Bridge-whist to Auction to Contract Bridge, but the outcome could have been different based on different circumstances.
During that time, there were influential writers and game designers, such as Walter W. Marseille, Dr. Paul Stern, and R. F. Foster, who could have steered the game in alternative directions. However, Contract Bridge eventually took hold, and once the clubs embraced it as superior to Auction Bridge, there was little room for other approaches. Moreover, the enthusiasm for creating new games that characterized the late 19th and early 20th centuries had subsided by the 1930s, with bridge emerging as the main game people preferred to play. Thus, Contract Bridge emerged as the dominant form of the game.
By Simon Wintle
Member since February 01, 1996
Founder and editor of the World of Playing Cards since 1996. He is a former committee member of the IPCS and was graphics editor of The Playing-Card journal for many years. He has lived at various times in Chile, England and Wales and is currently living in Extremadura, Spain. Simon's first limited edition pack of playing cards was a replica of a seventeenth century traditional English pack, which he produced from woodblocks and stencils.
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