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Painted sometime between 1441 and 1447 for Philippe Marie Visconti, several such XV century sets of tarot cards survive.
Moralised imagery was popular at this time. Artists were commissioned to paint anything from wall frescoes to miniature illuminated cards such as these, thereby exhibiting the taste and cultivation of the patron. In some cases the imagery has an esoteric or philosophical content, whilst in other cases it is merely conventional or adorned with the owner's heraldic devices. |
The cards are painted in gouache on thick card (175 x 87 mm), with burnished gold leaf, silver and tooled ornamentation reminiscent of the miniature paintings in medieval illuminated manuscripts and Books of Hours. There is also a resemblance, in the numeral cards, to the Mamluk cards seen in the previous page. This expensive and laborious process was, therefore, only affordable by the wealthy. However, in this way, the design of playing cards was influenced by the new spirit of Humanism, particularly in Italy. |
