Ken LodgeMember since May 14, 2012
I'm Ken Lodge and have been collecting playing cards since I was about eighteen months old (1945). I am also a trained academic, so I can observe and analyze reasonably well. I've applied these analytical techniques over a long period of time to the study of playing cards and have managed to assemble a large amount of information about them, especially those of the standard English pattern. About Ken Lodge →
The scheme to promote playing cards as gifts by means of inserts in Wills' cigarette packets apparently saved Waddington from their financial problems in 1931. Here are some details of the cards involved.
When there are official taxes to pay, people will find a way to avoid paying them - often illegally.
In standard English packs the Ace of Spades is associated with decorative designs. This is a historical survey of why this should be.
A presentation of the main characteristics of the wood-block courts of the heart suit.
This is a presentation in a more straightforward fashion of the work done by Paul Bostock and me in our book of the same name.
This is an archive list of my collection. I hope it will be of use and interest to others.
My wife and I have recently commissioned a unique pair of stained glass windows for our home.
The final page of material relating to playing cards from British periodicals.
Some further material relating to cards from nineteenth and twentieth century periodicals.
Here are a few early advertisements relating to cards from newspapers 1684-1759 and a number of later 19th century documents of interest.
A continuation of the development of the off-spring of the Paris patterns and a few examples of how the French regional figures have inspired modern designers.
A great many regional patterns were exported from France and subsequently copied elsewhere. Some of them became local standards in their own right.
Continuing our look at the figures from the regional patterns of France.
On page 11 I illustrated several examples of the regional French patterns from Sylvia Mann's collection; this is a more in-depth look at the figures of these patterns ("portraits" in French).
There are some interesting packs from Goodall in the last quarter of the 19th century.
A selection of examples of Owen Jones's work printed by De La Rue.
The firm of Thomas Woolley lasted for many years from 1836-1904 in several different guises.
A brief look at the number cards used in standard English packs.
Although many people would not consider Chinese cards worth collecting, the huge variety of court designs used by the companies based in China, Hong Kong and Taiwan over the years should be of interest to those who like to enjoy variation in court cards, jokers and aces of spades.
The following items are additions and alterations to my collection, the rest of which is listed on page 69.
The Isle of Man has always been a tax haven within the British Isles and it has also had some interesting packs of cards.
A brief survey of some of the current variation in the standard English pattern.
Ferd. Piatnik produced a very large range of cards with many different standard and non-standard patterns. This is a survey of his standard English output.
There are a number of court card designs that have never actually been produced as cards. It's a shame some of them never were.
A brief look at some makers of whom we know little.
There are three main New Zealand makers that I'm aware of: A.D. Willis, John Dickinson, and Strong & Ready.
Two early makers, Thomas and Sands & McDougall, used courts copied from those of the New York Consolidated Card Co.
The United States Playing Card Co. (USPCC) represents an amalgamation of all the major American card-makers of the late 19th and early 20th centuries
Andrew Dougherty was one of the biggest American card-makers in the 19th century.
Dating is a particularly tricky but very interesting problem to tackle and there are many pitfalls.
The issue of design copies needs further consideration and when does a copy become a fake?
A number of mixed packs appear for sale from time to time, but it's important to sort out what is meant by the term mixed. It is an issue that is not as straightforward as it might seem.
Gurney was not the only printer who went briefly into the playing card business during the twentieth century.
After the Old Frizzle period and the tax was reduced to 3d per pack, from 1862 onwards, a number of makers started up, who hadn't made cards before, although they were part of the paper and pasteboard industry.
In 19th century England there were a number of makers who produced cards in relatively small quantities.
Here I want to take another widely copied design and see how individual variation by the copier can take the original design through a lot of changes. I shall take the three USPCC designs: US3 (wide), US3.1 (bridge) and US4 (wide). To the best of my knowledge these are no longer used in the US, exce...
The emphasis throughout my collecting has been on the design of the courts cards, and it should be pointed out that there have been some functional changes to cards, which have affected the traditional designs, especially in the 19th century.
A survey of the cards made by Creswick and Hardy, with a brief mention of De La Rue, Goodall and Reynolds.
This page continues the presentation of examples of the major English cardmakers of the 19th century.
A preliminary look at the card-makers operating in the 19th century.
28: How to Analyze and Differentiate Playing Card Plates (De La Rue, Waddington and the Berlin pattern [französisches Bild])
My interest in postage stamp variants led me to apply the same principles to playing cards.
There is a very interesting collection of playing cards held at the Strangers' Hall Museum in Norwich.
Notions like rarity and monetary value are slippery customers and need careful handling. And there are still plenty of misleading descriptions on eBay - as well as looney prices!