Apache cards by Tonto Naipero

Published July 10, 2015 Updated December 30, 2023

Apache rawhide playing cards by ‘Tonto Naipero’, c.1871.

1871 USAAmerindianEthnic & IndigenousRawhideTonto Naipero

Apaches and Chiricahuas began making their own playing cards from rawhide when paper cards made in Spain or Mexico were not available, such as during periods of hostilities or when trade was stifled. Spanish designs were imitated in traditional Apache style to create a unique folk-art genre that to Western eyes may appear somewhat bizarre. It is not known when the Apaches first started making their own cards, but the earliest surviving packs date from the 1860s after they were collected by U.S. military officers or obtained from Apache scouts or prisoners.


Apache rawhide playing cards by ‘Tonto Naipero’, c.1871

Above: Apache rawhide playing cards attributed to the ‘Tonto Naipero’, c.1871. 40 cards. ‘Tonto Naipero’ is the assumed author of several rawhide packs displaying stylistic similarities and attributes of which this is one example. Images courtesy of the Department of Anthropology, National Museum of Natural History, Smithsonian Institution, Washington, D.C. [Cat. no. 11079]. Photographs by Harold Wayland.

It is believed that some Apaches, perhaps prompted by sales of packs that had been made for their own use, began to make rawhide cards specifically to sell to travellers or anthropologists.

REFERENCES

Ferg, Alan, Wayland, Harold & Virginia: Recognizing a Nineteenth Century Apache Playing Card Artist: the Tonto Naipero, in ‘The Playing-card’, Journal of the IPCS, Vol.36 No.2, Oct-Dec 2007.

Wayland, Harold & Virginia, Ferg, Alan: Playing Cards of the Apaches, a study in cultural adaptation, Screenfold Press, 2006

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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