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Naipes 210 made by Industria Gráfica Papelera S.A.

Published August 08, 1999 Updated August 04, 2022

Naipes '210' playing cards made in Uruguay by Industria Gráfica Papelera S.A. (Ingrapa), c.1990.

1990 UruguayCía Gral Fósforos MontevideanaIndustria Gráfica Papelera S.A.
Naipes 210 made by Industria Gráfica Papelera S.A.

Naipes '210' playing cards made in Montevideo by Industria Gráfica Papelera S.A. (Ingrapa) who became successors to Cía Gral de Fósforos Montevideana S.A. in the 1980s and continued producing the same brands. Ingrapa also produced Naipes Super, Naipes Ancla and Naipes Charabon, as well as certain brands for other distributors such as Fantasias S.A. and Akosol S.A. Around this time there was also an increase in the production of advertising playing cards. In 1992 Ingrapa was in turn taken over by Casabó S.A. Interestingly, the brands 'Naype 210' and 'Croupier' are now produced in Brazil by Lumicart Industria e Comercio Ltda.

Naipes 210 made by Industria Gráfica Papelera S.A. Naipes 210 made by Industria Gráfica Papelera S.A.

Above: Naipes 210 made by Industria Gráfica Papelera S.A., Santa Fe, Uruguay, 1990. 52 cards + 2 jokers + extra card in box. The court cards are exact copies of Whitman (Western Publishing, USA) but the design of the Joker appears to have been inspired by E.E. Fairchild, (USA).

REFERENCES

Silvera Antúnez, Marcos: Historia de los Naipes en el Uruguay 1724-2015, Ediciónes el Galeón, Montevideo, 2015

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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