Dessoris
Spanish-suited cards by Dessoris, Perpignan, which anticipate the French Catalan pattern.
The Dessoris cardmaking dynasty was founded by François Dessoris who settled in Pepignan in 1805-1806. Apprenticed in a playing card factory in Montpellier, he married the daughter of the owner: Marie-Antoinette Boissonnade. He then inherited the family business which he transferred to Perpignan. He died in 1843 and his son Joseph Dessoris succeeded him. He in turn disappeared in 1845 and it was the women who managed the business until the end of the 19th century (Jean-Pierre Garrigue, 2014).
The two packs shown below, by Dessoris in Perpignan, derive from the old Spanish National pattern, but with local idiosyncrasies which later emeged as the French Catalan pattern used in the French Pyrenees region. In both examples the ace of coins has the arms of Spain with scrolls reading "Dessoris a Perpignan", while "Dessoris, France" is printed on every court card. Also a cat motif is seen on the fours of coins. In the second example several court cards have moved away from the Spanish National pattern into poses found in the French Catalan pattern. In both examples there are small index numbers in the corners and border breaks, or pintas to indicate the suits.




Above: Spanish-suited cards by Dessoris, Perpignan, 19th century. Backs plain, 48 cards, hand-coloured woodcut. © The Trustees of the British Museum • Museum number 1896,0501.843




Above: Spanish-suited cards by Dessoris, Perpignan, 19th century, 48 cards, hand-coloured woodcut. © The Trustees of the British Museum • Museum number 1896,0501.842
References
British Museum: Museum number 1896,0501.843 and 1896,0501.842►
Jean-Pierre Garrigue, the History of Catalan Playing Cards, online summary: Tuesday, February 25, 2014►

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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