Karten-Almanach

Published July 19, 2026 Updated July 19, 2026

Fifth Transformation Card Almanac published by J.G. Cotta’s bookshop, 1810.

1810 GermanyLiteratureMyths & LegendsNeoclassicalTransformationAndreas Ludwig BisselCottaBritish Museum

Between 1805 and 1811, J.G Cotta, the German publisher famous for printing Goethe and Schiller, released a series of six "Card Almanacs" (Karten Almanach). This is the fifth edition, published as a book, in which each card is accompanied by a humorous poem or description in prose in German. "High" literary culture was being popularized and domesticated into an everyday object like a playing card. See an example

The pip cards

The 40 pip cards depict vignettes of everyday domestic and social life from that era. Officers and soldiers, including send-ups of Napoleon, as well as allegorical or veiled figures, appear in burlesque, satirical contemporary scenes. They provide a window into early 19th century German Romanticism, and a contrast to the mythological grandeur of the court cards. The defining feature is that the suit pips themselves are woven directly into the composition - such as in helmets, faces or lampshades.

Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum
Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum
Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum
Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum
Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum
Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum
Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum
Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum
Transformation Card Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum Transformation Card Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum
Transformation Card Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum

The court cards

The 12 court cards are full-length figures which travesty heroes and heroines of ancient mythology in a light-hearted, sometimes ludicrous manner. For example, the valet of diamonds, Paris, is shown as a capering French dancing-master, with cocked hat and fiddle under his arms. The cards are labeled "Valet," "Dame," "Roi" rather than German equivalents, even though this was a German publisher and audience. That's not incidental; it reflects the cultural prestige French language and taste still carried across German courts and educated society in the Napoleonic era, when Württemberg was a French-allied kingdom. However, the overt political commentary in this almanac wasn't on the court cards but on the numbered pip cards shown above.

Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum Transformation Card  Almanac published by J.G. Cotta’s bookshop, 1810 © The Trustees of the British Museum

Karten-Almanach, 52 transformation playing-cards with French suit-marks engraved by Andreas Ludwig Bissel, bound into a book of 102 pages, published by: J G Cotta, Tübingen, 1810. The cards have plain backs.. © The Trustees of the British Museum

References

British Museum number 1876,1014.1513-1564 : A series of 52 transformation playing-cards

Willshire, W. H.: A Descriptive Catalogue of Playing and Other Cards in the British Museum (German 156), Trustees of the British Museum, 1876, reprint 1975 (German 279).

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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