Naipes TRIUNFO c.1925-40

Published August 04, 2001 Updated July 10, 2022

Cappellano Hermanos were book publishers during the 1920s who also commenced producing playing cards around this time.

1925 ArgentinaCappellanoTriunfo
Naipes Triunfo, detail from Four of Cups, c.1930 Cappellano Hnos logo from box, c.1930

Naipes TRIUNFO

by Cappellano Hnos, publishers and playing card manufacturers, Sarmiento 1537, Bs Aires, Argentina, c.1925-40

Cappellano Hermanos were book publishers during the 1920s who also commenced producing playing cards around this time. The cards below are their first known Spanish-suited designs. The four of cups has the green 'Mercury' tax stamp used on home-produced cards at this time and the address is given as Sarmiento 1537, Bs Aires.

Naipes Triunfo, c.1925

Above: naipes TRIUNFO made by Cappellano Hnos, Sarmiento 1537, Buenos Aires, 1920s. This is an early version of the Ace of Coins and court card design, showing the Argentine flag draped around the central medallion and simplified courts.

At some time (c.1930) the design of Naipes Triunfo was re-drawn in a more conventional style which resembles the cards of several other manufacturers of the time. The Art Nouveau logo on the Four of Cups was retained for a while, until this was also replaced in c.1945.

Naipes Triunfo, c.1930-40

Above: cards from a slightly later edition of Naipes Triunfo by Cappellano Hnos, c.1930-40, with gold edges, showing the re-designed Ace of Coins and court cards which were used in all Naipes Triunfo decks thereafter. The address is given as Sarmiento 1537, Bs Aires.

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By Simon Wintle

Spain • Member since February 01, 1996 • Contact

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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