Gold plated souvenir playing cards from the Burj Al Arab Jumeirah hotel in Dubai.
“Les Artisans Tunisiens” Jeu de Sept Familles published by Éditions de la Mediterranée, Alpha S.A., Tunis
Fortune Tellers use the Hafez Cards by interpreting the Hāfez poems printed on the card backs when cards are selected randomly by their consultants.
Karl Gerich's “Patience Indien No.16”, published in 1991, is adapted from Grimaud's “Whist Indienne” (c.1900). The double-ended courts are dressed in Arab garb.
Representing Iranian culture and history and intended for a Persian market, these playing cards were designed by V. Romanowski de Boncza, ordered by the Iranian government playing card monopoly at the time and printed by Thomas De la Rue & Co., Ltd, c.1937.
Playing Cards in Tunisia. Chkobba is one of the most popular card games in Tunisia, mainly played by men in coffee shops but also played at home by men and women alike.
These two uncoloured, uncut sheets of early Moorish playing cards were formerly preserved in the Instituto Municipal de Historia in Barcelona.
Nã'ib, the game of lieutenants... these cards are amongst the earliest Arabic playing cards extant.
Playing Cards have been around in Europe since the 1370s. Some early packs were hand painted works of art which were expensive and affordable only by the wealthy. But as demand increased cheaper methods of production were discovered so that playing cards became available for everyone...
Spanish national pattern by A. Camoin & Cie, Casablanca & Marseille
Advertising pack for the Moroccan Bank of Commerce and Industry, 1986
Cartes La Gazelle, manufactured by Imprimerie de L’Entente, Casablanca
The earliest literary references to playing cards in Europe refer to the game having been introduced by a 'Saracen', and also to Moorish and Damascene varieties of playing card.