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Algeria

Published July 03, 1996 Updated January 26, 2026

Spanish suited playing cards produced by B. P. Grimaud (Paris) for Algeria.

1910 AlgeriaFranceArabicCamoinFossorier Amar et CieGrimaudSpanish National Pattern

Algeria is a gateway between Africa and Europe. A version of the old Spanish National pattern was produced by Jacques Sellon of Marseille and Fossorier, Amar & Cie of Paris for North African countries (Algeria & Morocco). Cards were also made by Camoin (Marseille), Malka Frères (Casablanca) and other anonymous manufacturers for export to Algeria. These were usually distinguished by a preponderance of green and a repeating pattern of stars and crescents on the backs. The tax stamp can be seen on the two of swords.

‘Naypes Finos’ - 40 cards in wrapper

Spanish suited playing cards produced by B. P. Grimaud (Paris) for Algeria, around 1910

Above: Spanish suited playing cards produced by B. P. Grimaud (Paris) for Algeria, around 1910. The cards have square corners and small indices. Image courtesy Juan José Pérez-Castejón.


Another slightly eartlier, almost identical pack made for Algeria is preserved in the British Museum, of which the wrapper engraved by Félix Simon (1824-1914) showing an Arab horseman galloping with a drawn sword, is shown below.

wrapper from 40-card Spanish-suited pack made by B.P. Grimaud, Paris for the Algerian market, late 19th century. © The Trustees of the British Museum

Above: wrapper from 40-card Spanish-suited pack made by B.P. Grimaud, Paris for the Algerian market, late 19th century. © The Trustees of the British Museum • Spanish-suited pack by B.P.Grimaud for the Algerian market

Reference

O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, Trustees of the British Museum, London, 1901 (Spanish 9) [digital version here]

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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