Juego de Naipes Andalusí

Published July 22, 2022 Updated January 08, 2023

Andalusian playing cards designed by Marifé Montoya Carrillo with booklet by Jorge Lirola Delgado, 2012.

2012 SpainArabicEthnic & IndigenousMarifé Montoya CarrilloFundación Ibn TufaylMoorishSuits
Andalusian playing cards designed by Marifé Montoya Carrillo with booklet by Jorge Lirola Delgado, 2012

Above: a joker and the back design.

Andalusian playing cards designed by Marifé Montoya Carrillo with a booklet by Jorge Lirola Delgado, published by the Fundación Ibn Tuyafl de estudios árabes, 2012.

This pack is a personal proposition to fill the void which exists regarding early arabic sources and playing card imagery. It is based on many years of research in Andalusian records as well as a desire to make an educational contribution to the subject. Arabic linguistic and cultural usage has been chosen as far as possible, within the framework of four suits and three court figures per suit, which are highly symbolic values.

The four suits are:
  • a ceramic money-box (the economy)
  • the cutlass (military power)
  • the quill (culture, reason)
  • the gazelle (love of beauty).
  • The courts are three symbolic ranks within a military hierarchy. The same 3 images are repeated in each suit. Andalusian playing cards designed by Marifé Montoya Carrillo with booklet by Jorge Lirola Delgado, 2012

    Above: Andalusian playing cards designed by Marifé Montoya Carrillo with booklet by Jorge Lirola Delgado, 2012.

    Further References

    Juegos de mesa que llegaron a la península Ibérica por al-Ándalus

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    By Simon Wintle

    Spain • Member since February 01, 1996

    I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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