XV Century Italian Playing Cards
Cards from a pack of an early form of north Italian playing cards, with the swords back-to-back and curved outwards. Believed to be Venetian, dated 1462.
Above: eighteen cards from a pack of an early form of north Italian playing cards, printed from woodblocks, with the swords back-to-back and curved outwards. Believed to be Venetian, late 15th century. The inscription on the two of batons, whilst at first glance resembling “ano 62”, may in fact be an inscription reading “duos” as the numeral cards in the batons suit have inscriptions giving their values written in what appears to be Venetian dialect. Kings seated on thrones is a format found in other early Italian cards, as well as early Swiss and German cards.
By the 15th century there was interchange of Italian and Spanish suited cards across the Alps.
Images on this page of cards from the Museo "Fournier" de Naipes de Alava (Diputación Foral de Alava, Cuchillería 54, 01001 Vitoria-Gasteiz, Spain) are taken from Suarez Alba (1991) and used with permission.
Above: reconstruction from several 16th or late 15th century north Italian fragments of partially coloured uncut sheets of cards. The swords and batons suit symbols are curved outwards in the same way as seen in early Spanish-Portuguese cards. The arrangement of the suit symbols and accompanying decorations are also reminiscent of the Mamluk Playing Cards from the Topkapu Museum in Istanbul. The original cards are located in Szépművészeti Múzeum (Museum of Fine Arts), Budapest.
Below: more examples of the same style of cards, printed from woodblocks, are shown below which in these cases are very early tarot packs.
REFERENCES
Private correspondence from Michael Dummett to Dalu Jones, 1973.
By Simon Wintle
Spain • Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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