Portuguese-suited cards
Portuguese-suited cards with dragon aces, made in Italy, 1613.
‘Portuguese’-suited cards with dragon aces and king (seated), maid (standing) and cavalier court hierarchy, made in Italy. The swords are straight and intersecting, with the date 1613 visible on the two of swords. The maids of cups and swords hold shields bearing a column suggesting the cardmaker 'Alla Colonna in Piazza Nicosia' believed to be in Rome. Small details of design correspond closely with other ‘Portuguese’-suited packs made at this time, with index letters and numbers at the top and bottom center of each card.
Note: The names of the suit systems do not indicate their country of origin. The label 'Portuguese' is simply convenient to indicate association with a particular country, but the system was not confined to that country alone. It travelled with Portuguese colonialists and traders to South East Asia, as well as being used in Brazil, Sicily and in certain tarot packs. It was also carried abroad by Spanish sailors and explorers. The dragons on the aces were copied on all derivatives produced in India, Indonesia and Japan etc, hence they are often called ‘Dragon cards’.
Above: two fragmentary uncut sheets of Portuguese-suited playing cards made in Rome, Italy, 1613. © The Trustees of the British Museum • Museum number 1896,0501.1089►
References
O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, Trustees of the British Museum, London, 1901 (Sheets Italian 1) [digital version here]
Dummett, Michael: The Game of Tarot: From Ferrara to Salt Lake City, Duckworth, 1980
By Simon Wintle
Spain • Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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