Jockey Club de Buenos Aires

Published January 28, 2025 Updated May 13, 2026

Spanish-suited pack by Chas Goodall & Son Ltd for the Jockey Club, Buenos Aires.

1926 ArgentinaUnited KingdomAdvertisingGoodall

Goodall's Spanish-suited cards are not seen very often but were exported to several niche customers in South America. The court cards are knave, knight and king in the suits of coins, cups, swords and clubs.

Spanish-suited pack by Chas Goodall & Son Ltd for the Jockey Club, Buenos Aires, c.1926 Spanish-suited pack by Chas Goodall & Son Ltd for the Jockey Club, Buenos Aires, c.1926
Spanish-suited pack by Chas Goodall & Son Ltd for the Jockey Club, Buenos Aires, c.1926

Above: Spanish-suited pack by Chas Goodall & Son Ltd for the Jockey Club, Buenos Aires, c.1926. 48 cards + blank card in 'Gold Medal' tuckbox, gold edges.

The Jockey Club de Buenos Aires is a prestigious social, cultural, and sporting institution founded in 1882 by Carlos Pellegrini, who later became President of Argentina. It is one of the country's most exclusive and traditional clubs • See the logo

• Jockey Club website

A similar pack was also produced for Nestlé

Nota: ediciones de LA SOTA se pueden pedir en el sitio web de Asescoin

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By Alberto Pérez González

Spain • Member since December 21, 2016

I am a researcher and my primary interest lies in playing cards manufactured in Cádiz (not the 'Cádiz' type in general). I have authored several articles in the annual Asescoin magazine 'La Sota'. Among them are: “Madrid’s Playing Cards from the 17th to the 20th Century”; “New Contributions to the Study of Playing Cards in the Valencian Country”; “The Fouquets: 'Navarra pattern' in the Netherlands”; “Divided Playing Cards: Combining Ingenuity with Skill”; “Here Be Dragons: Speculations on the Evolution of the so-called 'Portuguese' Pattern”; “Playing Cards in Chile: News and Chronicles from the Viceroyalty Era”...

I have written and designed the book “Los Naipes de Cádiz” (296 pp). Additionally, I have contributed to the design, layout, and collaboration in Enrique García Martín’s book “Naipes, Arte y Fantasía” (444 pp).

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