Naipes Victoria - page 2
Naipes Victoria was Cía Fabril Financiera's leading brand of Spanish-suited playing cards.
Naipes VICTORIA Spanish-suited playing cards manufactured by Compañía General Fabril Financiera, S.A., Iriarte 2035, Buenos Aires, c.1965-75.
Naipes Victoria was Cía Fabril Financiera's leading brand of Spanish-suited playing cards, alongside Naipes Angelito, Domador and Payador. The logo on the four of cups, showing a gladiator standing victoriously over a slain lion, was re-drawn around 1965 and the typography on the indices was also modernised. The address was still being given as Iriarte 2035.
Above: boxes from Naipes Victoria 'rojo' [red] standard edition, Naipes Victoria 'azul' Plastificados [blue] with Fabriplast plastic coating.
Above: standard Conosur version of Spanish Catalan pattern in all editions from this period, with modernised gladiator motif on the four of cups. Backs of crossed lines in blue or red.
The brand was briefly continued by F.X.Schmid (Argentina) S.A. and also by their successors Joker S.A. until around 1980 when it was discontinued.
Above: two different boxed editions of Naipes Victoria manufactured by Cía General Fabril Financiera S.A., c.1975. The typography in both examples shows variations from the previous format.
In c.1977 Joker S.A. became the exclusive distributing agents for playing cards manufactured by Cía Fabril Financiera, with a new logo based on the letter 'j' and a new Joker design copied from Fournier. Their address was usually given as Tacauri 127, which was the former address of Bertrand Domec. However, for a short period the address was given on the box as Perú 420, 3er piso, Buenos Aires.
For a short period the company address was given as California 2098, Buenos Aires. A miniature version of Naipes Victoria was also published.
By Simon Wintle
Spain • Member since February 01, 1996 • Contact
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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