Fournier No. 55

Published January 24, 2011 Updated January 13, 2023

Naipes Intransparentes de Una Hoja No.55 made by Hijos de Heraclio Fournier (Vitoria) for exportation to Argentina, c.1940.

1940 Latin AmericaSpainDomecHijos de Heraclio FournierCatalan PatternGuarro Pattern
Escudo de Vitoria

Naipes Intransparentes No. 55

Hijos de Heraclio Fournier (Vitoria) c.1940

A popular version of the Spanish Catalan pattern based on the designs of Guarro which were acquired by Fournier in 1930. The Four of Cups has a tower motif in the centre (Coat of Arms of Vitoria-Gasteiz), along with texts which read: Naipes Intransparentes de Una Hoja - Hijos de Heraclio Fournier - No.55 - Vitoria. The Ace of Swords has a small Barcelona coat-of-arms at the centre and the Ace of Coins features a head wearing an armoured helmet along with the symbols of maritime power and commerce resting on a plinth. This version of the Spanish Catalan pattern has also been used in South America.

This particular pack was exported to Argentina, and details of the importing agents Casa Bertrand Domec de Fagoaga y Fernandez are overprinted at the sides of the Four of Cups, and the brown ‘Mercury’ importation tax stamp is visible at the top of the card.  See enlargement →

Above: Spanish-suited "Catalan" pattern No.55 playing cards manufactured by Hijos de Heraclio Fournier (Vitoria) for exportation to Argentina, c.1940. Two of the Kings wear beards. The details of the importing agent are overprinted on the Four of Cups (see detail right →).

See also: Fournier "Catalan" pattern No.5 ::: Gráfica S.A. "Catalan" pattern

Four of Cups
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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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