Gustaaf Mesmaekers founded his business in 1859 in association with Louis-François Moentack, who left the business in 1862. From 1958 the firm collaborated closely with Van Genechten, who finally took over the company in 1968, shortly before the foundation of Carta Mundi. Mesmaekers had a very large overseas market and a wide variety of designs, even of the English pattern. Some of the designs were similar to those of other Turnhout makers, others specific to that one firm.
For a full list of Mesmaekers cards in my collection, click here►
Their single-ended cards used De La Rue's D3 as a model, as did the other Turnhout makers, but they put a lot of effort into good quality versions.
They also produced a version with the designs of the QD and QC switched, which lasted for several years, produced in various grades.
The next one Mesmaekers shared with other makers, but this is a rather up-market version.They also made a cheaper version.
But they seem to have been the only maker to develop this design further with redrawings and turning six courts to put all the pips on the left.
They had two further designs of their own, one in which the JH has no halberd. This was used in a series of a brand called Jumbo with an elephant on the box. It was used from the 1880s until the 1930s in different versions. Jumbos, c.1885
The other design was also used over quite a length of time from c.1900-1930s. In this one the JC is looking to the left (his right), which makes him look a bit furtive!Early example without indices, c.1900
A variety of later versions, one with Dutch indices, one with a turned JS, c.1930
Mesmaekers, along with Van Genechten, went in for decorative back designs on the model of the English ones by various makers, although the printing quality was not so good. These examples are from a tatty sample book n my possession, some of which has been cut away, but it still gives an idea of what was on offer in the 1870s and 1880s.
They offered toy cards, too.
They also made some good quality wrappers.
A non-standard pack from the 1930s was Royal Dynasty, which commemorated the establishment of the independent Belgian state (1830) with pictures of different generations of the royal family.
See also pages 18, 21 & 22.
Member since May 14, 2012
I'm Ken Lodge and have been collecting playing cards since I was about eighteen months old (1945). I am also a trained academic, so I can observe and analyze reasonably well. I've applied these analytical techniques over a long period of time to the study of playing cards and have managed to assemble a large amount of information about them, especially those of the standard English pattern. About Ken Lodge →
A limited edition art print of the Jack of Hearts 1984 woodblock joker.
A limited edition art print of the King of Diamonds 1984 woodblock joker.
Psychedelic designs promoting Louis De Poortere, a company selling carpets and rugs.
Four Corners of the World fantasy playing cards by Daveluy, Bruges, Belgium, 1875-1880.
Commedia dell’Carte political transformation cards illustrated by Stef van Stiphout, Belgium, 1977. ...
Original designs depicting leaders and allegories from Russia, France, Great Britain and Belgium.
Two souvenir packs with different court cards made by Glénisson for the Isle of Man, c.1880.
Cartoon-style illustrations promoting a Belgian organisation for scouts and guides.
Playing cards for gender equality, created on the 500th anniversary of classic French cards
Another pack of Dutch costume playing cards c.1880.
Dutch costume playing cards made for the Dutch market in the second half of the 19th century.
Railway Stations quartet game illustrated by Wim Dolk and published by Servex BV, Utrecht, 1975.
Promotional deck designed by Ray Goossens for the Boerenbond farmers’ union, c.1968.