Jeu de cartes abécédaire
An educational card game designed by F. Séré and published by Lithographie Musicale de Boboeuf, Paris 1840.
This French educational card set incorporates a card for each letter of the alphabet, totaling 32 cards. Each card is adorned with intricate illuminations and floral decorations in shades of green, blue, red and gold. The illustrations feature amusing characters and vignettes that begin with the same letter as the card itself, for example, "C" for "chien" (dog). This engages the child's imagination so that the deck serves as an initial step towards learning spelling and reading. At the top of each card, there is a miniature playing card in the official Paris pattern.
Educational playing cards, in general, were primarily designed to facilitate the learning of various subjects, often targeting children. These cards typically include illustrations or information related to geography, history, mathematics, language and other educational topics. In the case of this particular deck, the focus is on promoting reading and literacy skills. These cards were utilised as interactive learning tools, enhancing engagement in the educational process. The inclusion of a miniature playing card may have been a deliberate design choice to introduce children to basic mathematical concepts associated with playing cards, such as the four suits, number sequences, and so on.






























Above: Jeu de Cartes Abécédaire published by Lithographie Musicale de Boboeuf, rue Cadet 23, Paris, 1840. Total of 32 cards + rules in case; square corners; plain white backs; chromolithography; 8.6 x 5.7 cm. Source gallica.bnf.fr / Bibliothèque nationale de France • Jeu de cartes abécédaire►
By Simon Wintle
Spain • Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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