Little Folk Misfitz

Published September 06, 2012 Updated July 24, 2022

C. W. Faulkner & Co. Ltd were prolific card game manufacturers over a period of around 50 years, c.1870-1920.

1910 United KingdomChildhoodEthel ParkinsonFaulknerCard GamesMisfitz
Little Boy Blue C. W. Faulkner's “Little Folk Misfitz” illustrated by Ethel Parkinson, c.1910

C. W. Faulkner & Co Ltd, 79 Golden Lane, London E.C., c.1910

C. W. Faulkner & Co. Ltd were prolific card game manufacturers over a period of around 80 years. They produced a number of “Misfitz” games and “Little Folk Misfitz” is one of these. The cards were illustrated by Ethel Parkinson. Misfitz card games usually consisted of 72 beautifully illustrated cards making up 24 complete pictures. The aim is to assemble the three cards to make up a complete figure and then collect related sets to make a complete trick. Obviously much fun could also be had from assembling mixed up figures at children's parties, etc.

C. W. Faulkner's “Little Folk Misfitz” illustrated by Ethel Parkinson, c.1910

Above: C. W. Faulkner's “Little Folk Misfitz” illustrated by Ethel Parkinson and printed by chromolithography, c.1910. The reverse sides are printed in pale green to show British flags and emblems of the monarchy; sets consist of three parts, head, middle and feet - each set is named. Images courtesy Steve Campbell.

Ethel Parkinson (1868–1957) painter and illustrator. Born Mary Ethel Parkinson in Hull. Around 1880 her family moved to Greenwich and soon after she began to work for Faulkner. She was particularly fond of illustrating Dutch children and was responsible for illustrating very many children’s books and lots of postcards for Faulkner.

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I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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