Hand-drawn set of 52 playing cards

Published July 27, 2024 Updated July 27, 2024

An imaginatively hand-drawn set of 52 playing cards by an amateur artist, 18th century.

United KingdomBotanyHand-Painted

A complete pack of 52 fanciful playing-cards from the British Museum Schreiber collection, drawn by an amateur artist in watercolour, pen and ink. The cards have representations of a great variety of subjects, chiefly natural history and botany, but also one or two soldiers, 8 sailboats, rural scenes and allegories, while the value of each card is indicated by a miniature card in the upper right-hand corner. These miniature cards have full-length English courts and one-way pips and only the ace of spades has extra decoration. The initials "G R" are inscribed in pen, ink and watercolour on the drum carried by the soldier on the ace of clubs. There are no further inscriptions or titles which might have suggested a use such as cartomancy, except an illegible inscription on the jack of spades. The backs are plain.

Hand-drawn set of 52 playing cards by an amateur artist, 18th century © The Trustees of the British Museum Hand-drawn set of 52 playing cards by an amateur artist, 18th century © The Trustees of the British Museum Hand-drawn set of 52 playing cards by an amateur artist, 18th century © The Trustees of the British Museum Hand-drawn set of 52 playing cards by an amateur artist, 18th century © The Trustees of the British Museum

Above: 52 hand drawn cards, plain backs, 18th century, 60x80 mm. © The Trustees of the British Museum • Number 1896,0501.982

Reference

O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber (English 80), Trustees of the British Museum, London, 1901 [digital version here]

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By Simon Wintle

Spain • Member since February 01, 1996 • Contact

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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