South Sea Bubble
The South Sea Bubble Playing Cards were first published in London by Thomas Bowles in 1720. The cards bear satirical portrayals of the speculators involved in the South Sea Bubble of 1720, providing a unique contemporary record of the feverish atmosphere of the time, as well as the fashions of dress.
South Sea Bubble Playing Cards, 1720
The Original Stock Market Crash!
he South Sea Bubble Playing Cards were first published in London by Thomas Bowles in 1720. The cards bear satirical portrayals of the speculators involved in various commercial projects started during the South Sea Bubble of 1720, providing a unique contemporary record of the feverish atmosphere of the time, as well as the fashions of dress.
The cards were printed from copper plates, with the red suit symbols being applied later by stencil. The court cards contain interesting miniature versions of the standard full-length figures used on playing cards at the time. The backs are plain. A modern facsimile of the pack is part of a range published by Harry Margary.
Above: cards from the facsimile edition courtesy Giles de Margary. Click image to zoom. The cards provide a unique contemporary record of the feverish activities of traders in stock, by depicting in cartoon form a series of domestic situations which, although doubtless somewhat exaggerated, represented the atmosphere of the time. Extensive use is made of the balloon technique for reporting the speech of those portrayed and each card has a pithy, not to say in several instances coarse, verse describing the situation. Packs can be ordered directly from www.harrymargary.com
Three of Hearts: A Venetian lady, owning a Dutch pack of cards satirising the notorious Bubble schemes of c1720, invited one of the worst financial miscreants to play cards. The first card he turned up was the Three of Hearts and he left immediately, deeply offended.
By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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