Trappola pack by Anton Herrl

Published December 19, 2023 Updated December 19, 2023

Trappola pack of 36 double-ended cards published by Anton Herrl, Graz, Austria.

AustriaAnton HerrlArchaic PatternsTrappolaBritish Museum

Trappola pack of 36 playing-cards with Italian suits published by Anton Herrl, Graz, Austria. On the ace of batons is "Bei Anton Herrl". On the 2 of swords is "Diese feine Trapulier Karten sind zu finden bei Anton Herlblerg Karten Mahler in Graz". The cards run: ace, king, knight, jack, 2 and 7-10. The missing pip cards suggest that it evolved from an earlier pack: it is a very old game which originated in Italy in the 16th century.

The name is Italian but the cards were used in the Austro-Hungarian empire, produced principally in Prague, Graz and Vienna. Packs are known with single-figure courts and also double-ended courts and aces. The cards are usually narrow, brightly coloured and come in various sizes. They are distinguishable from Italian packs by the oriental dress in the courts of cups and swords. Today, Trappola cards are considered historical curiosities and not commonly used for playing games. However, they hold a place in the history of playing cards as an early variation that emerged during the development of card games in Europe.

Trappola pack of 36 double-ended playing-cards published by Anton Herrl, Graz, Austria, late 19th Century. © The Trustees of the British Museum

Above: cards from an Italian-suited Trappola pack of 36 double-ended playing-cards published by Anton Herrl, Graz, Austria, late 19th Century. Hand-coloured woodcut, backs printed with a zigzag pattern in black and brown. © The Trustees of the British Museum • Museum number 1896,0501.336

References

O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, (German 304), Trustees of the British Museum, London, 1901 [digital version here]

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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