Trappola pack by Joseph Glanz

Published July 11, 2024 Updated July 18, 2024

Double-ended Trappola pack by Joseph Glanz, Vienna, late 19th century.

1880 AustriaGlanzTrappolaBritish Museum

This fine Trappola pack of 36 double-ended playing-cards with Italian suit symbols was published by Joseph Glanz, Vienna, late 19th century. An inscription on the ace of clubs reads “Jos. Glanz in Wien”. On the 7 of roses (coins) is the legend “Fabrik: IV. Kleinschmidgasse No. 3 Wien”. The red & blue tax stamp on the 10 of roses was in use in Austria from 1877 to 1881. See the wrapper

double-ended Trappola pack produced by Joseph Glanz, Vienna, late 19th century. © The Trustees of the British Museum double-ended Trappola pack produced by Joseph Glanz, Vienna, late 19th century. © The Trustees of the British Museum double-ended Trappola pack produced by Joseph Glanz, Vienna, late 19th century. © The Trustees of the British Museum double-ended Trappola pack produced by Joseph Glanz, Vienna, late 19th century. © The Trustees of the British Museum

Above: double-ended Trappola pack produced by Joseph Glanz, Vienna, c.1880. Hand-coloured etching, backs printed with a zigzag pattern in black and brown. © The Trustees of the British Museum • Number 1896,0501.244

Joseph Glanz acquired Max Uffenheimer (Vienna) in 1848 and Johann Ritter & Cie in 1870. The business was sold to Piatnik in 1899.

References

Austrian Playing Card Society: Joseph Glanz, card maker in Vienna

O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber (German 313), Trustees of the British Museum, London, 1901 [digital version here]

Wikipedia: Joseph Glanz

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I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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