One of the things that really irritates me is the poor dating of cards that you see over and over again on the Internet. On the other hand, it isn't an easy matter unless you are aware of some general guidelines in this area. Why does it matter? Well, most people like to know roughly when the items they're collecting were made, whatever the item may be, and there are some areas, such as postage stamps, where there is a wealth of documented detail. It also seems to me to be unfair (if not illegal) to try to persuade the unsuspecting that they have a pack of, say, 1890, when, in fact, it was made in the 1920s. This particular mistake occurs a great deal in the descriptions of Goodall cards on eBay; of course, 1890 sounds much better than 1925. So I thought a few hints and guidelines would be helpful for those who have not yet had the good fortune to see a large number of cards, something which helps to get an overview of what a particular maker made and when. One thing should be borne in mind: unless there are good reasons for giving an exact date, it is better to give a date range for any particular pack, since most examples were produced for a number of years, and in some cases a great many.
A suitable starting point would be the sources we can use in dating any particular pack. These are in essence endless: all kinds of external events can be relevant, such as the period of World War II, when in Britain there were severe restrictions on printing. So, a pack with a multicoloured back design is not a very likely candidate for the period 1940-45, except for the Worshipful Company packs. And it took several years after the war to get back to normal. But there are a number of card-internal characteristics that can be very useful as a guide to date.
To start with, here are a few guides to De La Rue, Goodall and a few, later Waddington cards with Goodall courts.
1. Pip and index types
There are some very short-lived types, too. There is another type similar to Goodall's 1 and 2 above, which is slightly smaller and positioned differently, and there is another one between 3 and 5, which only seems to have been used c.1890 before 5 took over for the next 10 years. I give below the 7S index of each type: 3 - 3a - 5. 3a has no serifs and is wider than 5. I've only ever seen two packs with these indices. AS, KC, JH and back below.
Since putting these details together, I have discovered that there are, in fact, five different types of index in the wide-size cards produced by De La Rue with GD9 courts between 1920 and 1940, rather than the three given above. On the other hand, the standard-sized cards had only three. Here are the five wide types:
Q1: the first type, which is relatively rounded, c.1922-30
Q2: somewhat straighter at the sides and flatter top and bottom, c.1930-35
Q3: narrower than the previous types, c.1933-38
Q4: narrow with the tail going through to the left, little curve on the right, c.1936-40
Q5: wider, tail going through, more curve to the right, c.1938-40
The last one was used from 1941 by Waddington and is still used in its standard-sized cards to the present day. Why there should be so many variants in this relatively short period I can't say, though wear and tear is the obvious answer; either they were re-engraved on a complete image or they were separate on the block and could be replaced easily, as the court image remains the same. There are other index differences, too, but the Qs are the most obvious. Sometimes there are mixed index types in the same pack.
The standard-sized cards show the following use:
Top: Q1/2/5 with GD10; bottom: Q2 with GD11, the first smaller-framed courts, Q3 with GD12, De La Rue's second version of the smaller-framed courts, Q5, still in use.
2. Details of the manufacturer
There are external indicators such as the postal district of the address given for Goodall's Camden Works. Before De La Rue's take-over (1921/2) it's NW; after the take-over it's EC1. Quite a move for a building!! The latter one is actually that of De La Rue's own Bunhill Row. Incidentally, numbered postal districts in London were introduced in 1917, so that's another important external piece of information for dating packs. Registered Trademark appears on the Goodall AS after the take-over from c.1925 onwards. (The earliest dated example I have of Registered Trademark on the AS is 1926.) Goodall's Camden Works were sold in 1929, so any reference to it on boxes indicates a date of manufacture earlier than that.
Then there are the known dates of the individual makers. These can be found in my book The standard English pattern and some details are on the plain backs website and elsewhere on the wopc website. The four main British manufacturers have the following dates: De La Rue 1832-1970; Goodall 1820-c.1956, though after 1922 their cards were, in fact, De La Rue products; Waddington 1922-1995, with the No1 brand being continued up to the present by Winning Moves; Universal/Alf Cooke 1925-1970. De La Rue became a limited company in 1898 and Goodall in 1897, so any indication of that status (Ltd or Limd) must be after those dates. Note, too, that any pack with Goodall courts and a Waddington AS must be after 1943, when the courts were transferred for printing by the Leeds firm after De La Rue's Bunhill Row factory was destroyed in the Blitz.
So, let's summarize:
De La Rue before becoming a limited company: 1832-98.
De La Rue after becoming a limited company: 1898-1970.
Goodall before becoming a limited company: 1820-1897.
Samples: for Mudie with old courts (G6), c.1928, note the change to Ltd on the AS; with redrawn courts (GD9), with the late Q-index, c.1937
Of course, such periods are too gross and we need more details of the products of individual makers, in which case we need to look at the design of the AS and court cards, including the index type, if applicable, as shown above. The most detailed information is to be found in my book The standard English pattern (2010), of which there are several extracts on Paul Bostock's plainbacks website: https://plainbacks.com, so I won't repeat the information that is available there. There is also my page 5 on De La Rue, page 12 on Goodall and page 17 on Waddingtons►
I did not deal with jokers in my book, but they can also be useful aids to identification and dating. I give a few examples below.
Top: Waddington's original joker, c.1923-35; Waddington's later design, printed in various versions, still in use today, c.1935 onwards; the Alf Cooke/Universal joker, printed in black and white, c.1925-35, then in three colours c.1935-70, with minor variations.
Bottom: De La Rue's design, used without a frame c.1890-1910, then with a frame. It's found with Goodall courts after the take-over, but seems to have been discontinued by c.1930; Goodall, c.1935-55, then in colour, c.1956-70. The original design goes back to the 1880s, but it seems to have been discontinued after Waddington bought out De La Rue in 1969.
4. Aces of spades
The details of English makers' ASs are given in my book and on the plainbacks website, in particular, in my contribution to the site on the right of the first page. The AS is always useful, at least for determining chronological windows. On the main part of the plainbacks website you can find dates for the different Garter aces, Old Frizzle and individual makers' ASs. Below I give a few examples of Garter ASs. John Berry put together a scheme for dating the different varieties from the existing records; the full reference to his book is on the plainbacks website. In addition, Paul Bostock and I have included an updated list of early ASs in our book Wood-block & stencil,
Here are the basic types of AS to be found in 18th/19th century English packs.
Note that the Old Frizzle printed for De La Rue always had By His Majesty's letters patent printed at the foot. This is a reference to William IV's granting the patent in 1831, but it does NOT mean that the cards are necessarily from his reign. The patent was proclaimed on the De La Rue AS throughout the Old Frizzle period until 1862. Reynolds' own AS, designed after 1862, was modelled closely on Old Frizzle, so do watch out for the differences. One obvious one is MANUFACTURED BY above the design rather than DUTY ONE SHILLING as on Old Frizzle. The one illustrated is for REYNOLDS & SONS (1862-1882); REYNOLDS & Co. instead means it dates at the earliest to 1882, when the firm changed its name, shortly before being taken over by Goodall.
Old Frizzle lasted from 1828 until 1862, but within that period it is possible to differentiate on the basis of court card design. For example, the Goodall Old Frizzle is part of a pack with double-ended courts (G1.1), so must date from the 1850s. More details of dates for Goodall courts can be found on page 12►
5. Bridge score cards
In those packs where a bridge-score card has been included, we find a very useful aid to dating for a short period at any rate. If the pack contains an auction bridge score-card, it is likely to date from before 1928, when the first version of contract bridge scores was introduced. If the no trump score in contract bridge is 35 points, then the pack dates from 1928-32; if the no trump score is 40/30 alternating, then the pack dates from 1932-35; finally, from 1935 onwards the no trump score is 40 for the first trick and then 30 for the rest. Changes to the undertrick penalty scores (not vulnerable) and a score for holding four aces in no-trump hands were made in 1987.
6. Back designs
Back designs can be very helpful, but also very misleading. They cannot be used on their own to determine the date of a pack of cards. For example, we saw on page 39 that my mixed pack for Victoria and Albert clearly showed that the pack was in production for some 20 years; it's the fronts that tell us which date any particular example comes from. Dates on cards are often no guide either. If we come across a Waddington pack showing the coronation of George V and Mary of Teck dated appropriately 1910, that is the date of the coronation not the cards. These cards were sold as a pair for the celebrations of their Silver Jubilee in 1935, of which there is a picture on the other pack. Waddington wasn't even making cards in 1910. The most reliable date on the back of a pack is that of the Worshipful Company packs. Also, backs from the 1950s often have a flavour of pre-war Art Deco. Again, the fronts of the cards can guide you here: if a Waddington pack has Goodall courts, then it's from the 1950s or later, as shown above. Waddington took over the printing of all Goodall/De La Rue cards in 1941/2 after the De La Rue factory at Bunhill Row was destroyed in the Blitz.
An Exercise in Dating Packs With Owen Jones Back Designs
We know some of the dates of some of the back designs (see page 59►) and we know the approximate dates of the different types of court design (see especially page 5►), so for some packs at least we can give a fairly narrow window of dates for their production. I give a few examples below.
For an exercise in dating some Goodall packs, see page 12►
Here are some details relating to the immediate post-war period. Since any De La Rue or Goodall pack with Waddington courts or Goodall courts with a Waddington AS must date from after 1942, it's quite useful to try to work out some of the details of this immediate post-war period. We can use all our clues to try to date individual packs. The illustration below gives two examples of packs made for Cosmos lamps from c.1946 (top) and c.1953.
Here in both cases we have Goodall courts (GDW12) with Waddington ASs. Note that the top one has the Goodall joker, whereas the bottom on has a Waddington one. The back design will indicate that the top one is earlier than the bottom one, as the close-permed hair gave way to the softer waves in the early 1950s, and the ample skirt in the bottom example reflects the New Look, a fashion that arrived in England in 1950, though the restrictions on clothing materials meant it was far from widespread to start with. So, we end up with the approximate dates I gave above. The bottom pack has only one joker, which suggests early 1950s before the canasta craze got a hold. (Yes, I know one of the jokers could have gone awol!)
However, since back designs, in particular, can be deceptive, it's useful to have a further indicator. In John Berry's book on the Waddington archive he gives a list of the detailed variation of the standard Waddington AS, but there's one feature he's missed. It must also be remembered that plates wore out quickly, so there are many redrawings of even one version. There is a difference in the marks at the bottom of the large spade design: one pair is roughly ( -, the other is - ), as illustrated below.
You can see from this close-up that the registration number and maker's name are different in each case. The left-hand type is the original one, so aces from the 1920s and 1930s have this characteristic; the one on the right was introduced in c.1935 when the redrawn courts, W3, were introduced and post-war is only found with Goodall courts or with the turned W3.2 courts in convex packs. The left-hand one is also found with Waddington's own post-war courts (W5.4, W5.5 and W5.6) in cheap-grade packs such as No.1, up until c.1970. This is a subtle difference, but may help with dating, if all else fails.
A good example of backs being used before and after the war is provided by the Cosmos packs below, and they also show how courts and ASs could be interchanged when Waddington was printing all the cards.
Here are the W3 courts with a large De La Rue AS (still with a reference to Ireland on it) from c.1946. The bridge score card is unusual, as it is based on earlier Goodall ones, but did not survive for long; I've never seen one in any other Waddington-produced packs from this period. The red and the black backs with a white border date from this time. The borderless back, however, is by Universal from c.1938. Presumably, just after the war with all the shortages, commercial artwork was at a premium and not to be wasted, if at all possible. So the back design of the later cards produced by Waddington is misleading in that it represents the style of the 1930s, not post-war Britain.
Member since May 14, 2012View Articles
I'm Ken Lodge and have been collecting playing cards since I was about eighteen months old (1945). I am also a trained academic, so I can observe and analyze reasonably well. I've applied these analytical techniques over a long period of time to the study of playing cards and have managed to assemble a large amount of information about them, especially those of the standard English pattern. Read more...
A five-suited set of playing cards published by Fleet and Case Games Ltd., Rainham, Kent, UK, c.1980.
52 selected views of Scotland by De La Rue (Waddingtons) for GlenAlan Ltd, Glasgow, Scotland, c.1960s.
Publicity items for a group of entertainers, Southend-on-Sea, Essex, UK, 1911.
Cards made by John Waddington Ltd. for the Madras Club, Chennai (formerly Madras), India, c.1930.
54 different personalities from the city of Inverness published by the Highland Hospice.
Edinburgh Festival Fringe programme covers from 1956 to 2016 published by Winning Moves UK Ltd.
Images from the Ministry of Defence Cape Wrath Training Centre, Sutherland, Scotland. Published 2010.
Celebrating the work of Andreas Vesalius in the quincentenary year of his birth.
Great Britains’s Olympic gold medallists from 1964 to 2004 published by the British Olympic Association.
Celebration of the work of David Kindersley, stone letter-carver and typeface designer. Published by the Cardozo Kindersley Workshop, Cambridge, UK, 2015.
Pack celebrating the rugby world champions of 2003. Produced by MMcardz.
A recreated of the original 1876, No. 18, Triplicate deck by A. Dougherty by Michael Scott in 2014.
Fifty-five rare stamps of the world in full colour, published jointly by David Feldman SA of Switzerland and Tower Philatelic, USA, 2001.
Pack designed by Jean David (1908-93) for El Al Airlines. The courts are named after Biblical characters.
Luxury packs of cards have been produced since the 15th century, a trend that is very popular among collectors today.
“Royal Cards Reign of Queen Anne” cover historical events, both honourable and treacherous, during the period 1702 to 1704.
Hall & Son
Comic Fortune-Telling Cards published by Reynolds & Sons, c.1850.
Comic Question & Answer cards by Josh. Reynolds & Sons, circa 1850.
Myriorama of Italian scenery, 1824.
Hand-drawn Transformation cards, c.1870.
PLAYING CARDS: A Secret History
This deck was inherited from ancestors, it has has a family history surrounding it. Details of the lives of previous owners make it all so fascinating.
Sergeant-Major card game devised by W.G.Smith
We are deeply saddened by news of the passing of Anthony Rex Pitts (1940-2021).
The Story of Pepys Games by Rex Pitts
Jacob Wolfe Spear founded his company manufacturing fancy goods in 1879 near Nuremberg in Bavaria, Germany
Chad Valley Co. Ltd (incorporating Johnson Brothers (Harborne) Ltd, the long-established UK brand bought by Woolworths in 1988 and now sold at Argos.
Multum in Parvo published a range of indoor games during the period from 1884-1927.
The founder of Ariel Productions, Philip Marx, was a prolific publisher of children’s books and comics towards the end of and just after the Second World War.
Kum-Bak Sports, Toys & Games MFG Co., Ltd, London S.E.11
Crazy People children’s card game illustrated by caricaturist and graphic artist Walter Trier, c.1950.
Panko (Votes for Women) suffragette card game published by Peter Gurney Ltd, c.1912.
Anonymous Snap game, 1930s.
Panto People published by E. S. & A. Robinson, c.1930s.
Hats-Off! miniature card game published by E. S. & A. Robinson, c.1930s.
Zoo-Boots published by E. S. & A. Robinson, c.1930s.
The XIXth Century published by John Jaques & Son, c.1875.
The ‘Rinker’ highly amusing snap game, c.1910.
Round the World Happy Families by Chiefton Products Ltd of Bristol, c.1950s.