Ethnological Tarot by Joseph Fetscher
Joseph Fetscher's inventive, ethnographic tarot from Munich c.1820.
This unusual tarot, published in Munich by Joseph Fetscher around 1820, belongs to a Bavarian tradition of inventive tarot-making that had diverged from conventional Italian iconography. Like many German packs of the period, it employs the emerging double-ended ("à deux têtes") format, making the cards easier to hold in play. All the cards have a decorative border. Fetscher was a notably innovative manufacturer whose output included animal, mythological and allegorical tarots. Zoom Fetscher's details on Trump II
Rather than depicting traditional allegorical trumps, this deck presents a sort of ethnographic panorama of the world's peoples, continents, monuments, ruins and wonders, reflecting the contemporary European fascination with geography, ethnography and distant cultures. They include a club-bearing Wild Man from Germanic folklore, a Chinese Mandarin, a Moroccan, the Aztec deity Huitzilopochtli, together with landscapes and exotic scenes at each end, (the deck is incomplete so the rest are missing). The court cards likewise depict people from distant lands.
Cards from Cartes “Ethnologiques” tarot pack printed by Joseph Fetscher, Munich, c.1820, (incomplete pack). Bibliothèque nationale de France
While educational and geographical card packs were popular in Germany during the early nineteenth century, this tarot organised around ethnographic themes makes it one of the more imaginative productions from Joseph Fetscher's diverse workshop.
Bibliothèque nationale de France : Cartes d'un jeu de tarot allemand à deux têtes, dit "ethnologique ►
By Simon Wintle
Spain • Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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