Animal Tarot by Joseph Fetscher
French-suited Natural History Tarot deck by Joseph Fetscher, Munich, c.1820.
This French-suited Natural History Tarot deck by Joseph Fetscher, Munich, has two different designs, chiefly natural history subjects, on each trump card which could have educational value as well as for playing games. Trump II has the arms of Bavaria and a figure of Fame with the legend "Joseph Fetscher B. Karten Fabricant in München in der Burggase". The 16 court cards - king, queen, cavalier and knave in each suit - are also double-ended.
French-suited tarots (or tarock) reflect different preferences or customs from state to state with regard to the imagery of the trump cards. In this example animals have replaced the traditional Italian-derived tarot allegories.
Above: French-suited Natural History Tarot deck by Joseph Fetscher, Munich, c.1820. 78 double-ended cards, hand-coloured woodcut, backs printed with a small blue pattern. There is an 8 Kreuzer tax stamp on the ace of hearts which was in use in Bayern (Bavaria) from c.1816 to 1826. © The Trustees of the British Museum • Museum number 1896,0501.168►
Further References
O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber (German 135), Trustees of the British Museum, London, 1901 [digital version here]
Endebrock, Peter: playing-card pages: Tax Stamps from German States►
Another Animal tarot with mainly natural history topics on the trumps produced by Joseph Fetscher can be viewed at the British Museum number 1896,0501.169►
By Simon Wintle
Spain • Member since February 01, 1996 • Contact
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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