Animal Tarot by Andreas Benedict Göbl
French-suited Animal Tarot deck produced by Andreas Benedict Göbl, Munich.
Tarot decks featuring French suit signs first emerged around 1750, particularly credited to Andreas Göbl of Munich. The imagery portrayed on the trump cards exhibited diversity, yet throughout the 18th century, there was a predilection for depictions of animals or scenes related to hunting. Sometimes the order of the trumps varied slightly. Göbl produced seveal different animal tarot decks. The trumps in this example are natural history subjects, some fancifully treated and all gaily coloured. The unnumbered Fool card is a harlequin playing a flute. Although Andreas Benedict Göbl died in 1786 his successors continued to sell the pack.
The Court Cards
The court cards are derived from the Paris pattern, with the addition of cavaliers. The knave of clubs has the inscription “Andreas Benedictus Göbl”, and the king of clubs has the initials L.H. The king of diamonds “Minchin” and the initials B.H. On the king of spades the initials S.T. The king of hearts has an interesting coat-of-arms stamp on his robe. Both the red-suited knaves display the lozenges of the Bavarian badge.
Above: Tarock pack of 78 playing-cards of the Bavarian type published by Andreas Benedict Göbl, French-suited, hand-coloured woodcut, edges gilt, backs printed with a diagonal pattern of red stars, 18th Century. © The Trustees of the British Museum • Museum number 1896,0501.177►
References
O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, (German 137) Trustees of the British Museum, London, 1901 [digital version here]
By Simon Wintle
Spain • Member since February 01, 1996 • Contact
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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