Mitelli ‘Gioco di Passatempo’

Published July 22, 2014 Updated December 08, 2022

Il Gioco di Passatempo contains 40 figurative playing cards depicting moral virtues and vices, dated 1690.

1690 ItalyEducationMitelliSolleone

Giuseppe Maria Mitelli (1634-1718) designed and published at least 2 card games. The first was his pack of tarot cards, a new type of Tarocchini di Bologna published in 1664. The second was Il Gioco di Passatempo published in 1690.

Il Gioco di Passatempo contains 40 figurative playing cards of which 20 cards are ‘Trionfi’ (victories or ‘trumps’) representing virtues and arts, identified with a title and little stars at the top of each card. The remaining cards, ‘Cartazze’, represent not-so-virtuous traits (vices) such as envy, frivolity, deception and so on, identified with small black dots. These have lesser value in the game than the virtues. There are no suit cards. The stated object of the game is to win tricks and score more points than your opponent, but the 17th century showcase of moral values, beautifully depicted, is also very interesting, reminding players of their progress in moral development.

Above: Mitelli’s ‘Gioco di Passatempo’, 40 etchings (130 x 65 mm), 1690, republished as a limited edition facsimile by Vito Arienti, Edizioni del Solleone, 1972. Card no.40 ("Il Tempo Passa") is lettered "Gioco del Passa Tempo. Giuseppe M. Mitelli I. e F." Card no.20 contains the rules of the game, with the artist's name and the date. Card no.2 is dated 1690.

REFERENCES

British Museum website

Tarot History website→ (also contains a translation of the rules)

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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