El Fenix

Published November 09, 2011 Updated September 08, 2022

Naipe Fino 'El Fenix' playing cards by Clemente Jacques y Cia, Mexico.

MexicoClemente JacquesPasatiempos GalloEl Fenix

Naipe Fino ‘El Fenix’

Clemente Jacques y Cia, Mexico

Clemente Jacques' Naipe Fino ‘El Fenix’ is one of several alternative names for the same pack. In it's earliest days it was titled ‘Club’ (c.1900-20), then ‘Casino’ (1920s), ‘Minerva’ (1950s), ‘El Fenix’ (c.1960-70s) and ‘Valenciano’. Normal sized and patience sized packs are known and in later editions the cardboard is very thin and translucent.

Naipe Fino El Fenix by Clemente Jacques y Cia, Mexico, c.1960

Above: Naipe Fino ‘El Fenix’ by Clemente Jacques y Cia S.A., Mexico, c.1960-70. 40 cards. The manufacturer's name can be read on the Four of Coins and the Pages of Swords and Coins. The manufacturer's address is given on the box as: Oriente 237 No.50, Mexico 9, D.F. This is not the usual address, which was usually F.C. de Cintura 1.

In 1970 the former Clemente Jacques y Cia, S.A. changed hands and was renamed Pasatiempos Gallo S.A. In 1990 it became Pasatiempos Gallo S.A. de C.V.

El Fenix playing cards by Pasatiempos Gallo S.A. Mexico c.2000

Above: ‘El Fenix’ Spanish-suited playing cards made by Pasatiempos Gallo S.A. de C.V., Mexico, c.2000. 40 cards. Some small details have changed from the above edition but on the whole the designs are the same; the Ace of Coins has the legend ‘El Fenix’ in white with a bird's head above. The index number ‘1’ on the Ace of Coins is in a larger font size. The manufacturer's name can be read on the Four of Coins and the Pages of Swords and Coins.


References:

García Martín, Enrique: Clemente Jacques, in LA SOTA no.15, Asescoin, Madrid, September 1996

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By Simon Wintle

Spain • Member since February 01, 1996 • Contact

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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