Baraja Cuauhtémoc

Published March 15, 2004 Updated February 17, 2024

Baraja Cuauhtémoc published by Treviño Narro, Monterrey, Mexico Original artwork by P. X. Santaella featuring Aztec and other important pre-Columbian cultures.

1950 MexicoAmerindianArt & DesignVideosSantaellaClemente JacquesTreviño Narro
detail from Aztec Playing cards - Baraja Cuauhtémoc, Mexico, c.1950

Baraja Cuauhtémoc

published by Treviño Narro, Monterrey
Printed by Clemente Jacques y Cia S.A. c.1950

Original artwork by P. X. Santaella featuring Aztec and other important pre-Columbian cultures. The Ace of Spades features Emperor Ahuizotl (1486-1502). The 5 of clubs (second row) shows the Teotihuacán Sun Pyramid, one of the masterpieces of Mexican architecture, V century, and also the name of the manufacturer, Clemente Jacques y Cia, S.A.

Aztec Playing cards - Baraja Cuauhtémoc, Mexico, c.1950

Above: Aztec Playing cards - Baraja Cuauhtémoc - published by Treviño Narro, Monterrey, Mexico, c.1950 based on original paintings by P. X. Santaella, whose name appears on the Four of Hearts. Printed in Mexico by Clemente Jacques y Cia, S.A. Presented in single boxes or double pack 'Canasta' boxed sets with matching backs and 20-page leaflet describing the images on the cards. The Ace of Diamonds shows Emperor Cuauhtémoc ('Falling Eagle', 1495-1525); Queen of Spades Queen Xiutlanetzin who had 100 slaves to attend to her needs. The Jokers depict Tlatlanqui, signifying 'Victorious' and who represents the last of the Aztec monarchs.

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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