Tarots Egipcios Kier

Published April 22, 1997 • Updated July 15, 2023

The “Tarots Egipcios” was first published by Editorial Kier S.A. in c.1971 with Spanish titles, with a booklet (also in Spanish) explaining the cabbalistic meanings of the cards.

“Tarots Egipcios” Kier, Buenos Aires

Editorial Kier S.A., of Buenos Aires, publishes a wide range of esoteric books. The “Tarots Egipcios” was first published in c.1971 with Spanish titles, with a booklet (also in Spanish) explaining the cabbalistic meanings of the cards. These are a complicated compendium of 'certain knowledge' rendered in terms of the Book of Thot, the Egyptian alphabet and glyphs, zodiac and planetary signs, the Hebrew alphabet and numerology. All of this is related to the physical, mental and spiritual planes, seen on the cards as three coloured areas. The booklet, which is an abridged version of a full ‘authorised’ work by J. Iglesias Janeiro, also briefly explains that the minor arcana cards, whilst partaking of the same transcendental symbolism, represent the varying practical circumstances in which universal laws may manifest themselves in the physical plane. The pack deviates considerably from standard tarot formats, and the 56 minor arcana cards are numbered 23 to 78 with egyptianesque scenes on each card, but no suit symbols.

Above: “Tarots Egipcios” by Editorial Kier, Buenos Aires, c.1970. 78 cards + extra card + booklet in box. 68 mms x 130 mms.

The pack was re-published with English titles in 1984 by U.S. Games Systems, and was also imitated or plagiarised in several other editions in U.S.A., Spain and Mexico.

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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