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Transformation of Playing Cards

Transformation Playing Cards are those in which the ordinary pip cards have been integrated into an overall design thereby 'transforming' the playing card into a miniature graphic artwork. Some packs have standard court figures but others do not. Thus every card carries a different design, some of them extremely ingenious. The pips must retain their traditional position and shape, so it is sometimes difficult to create a good overall composition. They are certainly great fun to study.

A New Form of Creative Art...

The exact date of their origin is unknown, but must have been within a few years of 1800. The idea became popular in late 18th or early 19th century as a pastime, when cards were 'transformed' using pen and ink, often with the addition of colour. It is rather like transforming some random squiggles or spots on a piece of paper into a picture, testing your ingenuity and artistic ability. A considerable fashion for them developed throughout the 19th century and many miniature masterpieces were created. Transformed packs were even made for fortune-telling. At the same time, printed almanacs were published containing drawings designed as playing cards and these also became a fasionable novelty. The first of these appeared in the “Taschenbuch für 1801”, published in Brunswick in 1800, representing scenes from Samuel Butler’s “Hudibras” (which lampoons the Puritans and was originally published 1663-1678) on eight cards designed by D.W. Soltan. There was not a complete pack, just eight cards, some of them duplicated.

Above: two copper engraved ‘transformed’ playing cards (from a set of eight) designed by D.W. Soltan in c.1800 representing scenes from Samuel Butler’s satirical bestseller “Hudibras”. Images © Bibliothek für Bildungsgeschichtliche Forschung

Twelve transformation cards were engraved by Christoph Haller von Hallerstein and dated 1802. This incomplete set was published the following year as “Bout-Rimes Pittoresques.” These early transformations were not intended to be used to play card games, but were a new form of creative art.

In c.1802 Jan Rustem (1762-1835) composed “Cartes Barbouillées” (“Kitsch Cards”) and “Cartes de Fantaisie” (“Fantasy Cards”) from different drawings and sketches (mythological, religious and domestic compositions, still lifes and portraits), deciding where to place the symbols and playing with stories, motifs and cultural allusions. However, it does not appear that the artist wanted to make a complete pack to play with.

“Cartes Barbouillées” or “Fantasy Cards” by Jan Rustem (1762-1835) in the Lithuanian Art Museum

Above: “Cartes Barbouillées” transformed playing cards by Jan Rustem (1762-1835) in the Lithuanian Art Museum

The first complete pack was printed in 1804 and published in 1805 by J. C. Cotta, a publisher and bookseller in Tübingen, Germany. The twelve court cards depict characters from Friedrich von Schiller's tragedy Die Jungfrau von Orleans (The Maid of Orleans) but the transformed pip cards are unrelated see more

Cotta went on to publish a total of six almanacs of transformation packs.

Above: pip cards from J. C. Cotta's “Classical Antiquity” transformed playing cards, designed by Charlotte von Jennison-Walworth, published in 1806.

19th century hand-drawn packs are now extremely scarce... some of them contain original ideas, humorous caricatures or comical satires of the theatre, politicians or opera stars, or else epic heroes of classical antiquity and so on. Some of them tell a story or recount a nursery rhyme. Others contain contemporary social scenes including ethnic stereotypes which might be incorrect today, showing how social attitudes have changed. Whilst many are ingenious in their design, others do not display so much originality; if the pips do not fit in with the design they are placed therein just the same. We can imagine families in their drawing rooms, by the fireside, reading, smoking, scross-stitching or doodling on old playing cards...

Metastasis Transformation Cards, 1811

Above: "Metastasis" Transformation Cards, designed by John Nixon and published in 1811 by S & J Fuller, London.  A new reproduction edition of this pack is available from the E.P.C.S. These designs were later re-used in other packs. Click here.

Above: these cards first appeared as plates in "The Repository of Arts, Literature, Fashion etc." published by Ackermann in 1818-19. There were 52 cards in total.  See also: Bartlett Ackermann Transformation

Generally-speaking, cards can be ‘transformed’ in several different ways. One method is to design a scene which occupies the entire card and cleverly incorporates the pip symbols into the design. Another method is to transform each pip into a flower or insect so that the result shows, say, six beetles moving across the card. In some cases the pips themselves are transformed into faces which become part of a caricature. Cards can be oriented the way which best suits the artist; upright, inverted or landscape. Extra colours can be added as highlights or illumination.

De la Rue Playing Cards Transformation

Above: These cards have been hand drawn on a De la Rue pack of c.1870, at a slightly later date, c.1886.

Art for the Earth, 1992

Left: "Art for the Earth" Playing Cards published by Andrew Jones Art for The Friends of the Earth, 1992. Royalties from the sale of the pack went towards the campaign to sustain the world's tropical rainforests.

Four cards from The Teddy Bear Transformation Deck (1994) designed by Peter Wood

Left: four cards from Pete Wood's 'Teddy Bears' Transformation pack of playing cards (1994).


Field, Albert: Transformation Playing Cards, U.S. Games Systems Inc., Stamford, CT, 1987

Mann, Sylvia: Collecting Playing Cards, Arco Publications, 1966

Mann, Sylvia: All Cards on the Table, Jonas Verlag/Deutsches Spielkarten-Museum, Leinfelden-Echterdingen, 1990

Strand Magazine: Playing-Card Squiggles, December 1910

Above: hand-painted Transformation, c.1800-20

Above: Cotta Transformation playing cards, 1804

Above: H. F. Müller Transformation Vienna, 1809

Above: Vincenz Raimund Grüner, Almanac, 1809

Above: Metastasis - Transformation of Playing Cards - 1811

Above: Transformation Playing Cards, 1811

Above: “Cartes Comiques” by Louis Atthalin, 1817

Above: Cartes Recréatives, 1819

Above: Bartlett Ackermann, 1833

Above: Carl Arnold, 1856

Above: Adolfo Matarelli (1832-1877)

Above: Thomas Walters, 1874

Above: “On The Cards” or “A Motley Pack” illustrated by George Gordon McCrae, c.1875

Above: a pair of hand-drawn Transformations, c.1875

Above: hand-drawn Transformation, c.1880

Above: hand-drawn Transformation, c.1880

Above: Alfred Crowquill Transformation.

Above: Vanity Fair Transformation.

Above: Key to the Kingdom by Tony Meeuwissen, 1992.

Above: E. P. C. S. 1Oth Anniversary Transformation playing cards designed and produced by Karl Gerich, 1993.

Above: Circus Transformation.

Above: “Under the Sea”, 2006.

Spanish Suited Packs

Spansih packs as early as the 16th century were sometimes 'transformed' by the addition of children and animals cavorting amongst the suit symbols. Similarly see the pack of cards by the Master of the Banderoles

Above: Fabrica de Cigarrillos Roldan y Cia, Lima, Peru, c.1890.

Above: Litografías Industrias Madriguera, Barcelona, c.1896.

Above: Zoo Comics by Litografía Ferri, 1968.

See also: Pack of Dogs   Mermaid Queen   Bag of Bones   Kitten Club

Last Updated January 26, 2016 at 02:36pm


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