Estate Playing Cards

Published January 18, 1996 Updated January 18, 2024

Estate Playing Cards with five suits designed by Keith Wilson

2006 AustraliaArt & DesignKeith WilsonAce Card CompanySuitsCard Games

Estate Playing Cards with five suits were designed by Keith Wilson as an augmented and modified deck of cards reflecting the modern world. The traditional royal courts (jack, queen and king) are replaced by a contemporary man and woman, called family cards. Each suit runs 2, 3, 4, 5, 6, 7, 8, 9, 10, Man, Woman, Ace. The suits, referred to as “Estates”, are hearts, diamonds, clubs, spades and waves which represent Church, Corporation, Community, Military and the Media. The resultant pack has 60 cards + 2 extra “Imperial” cards, the Pope and the President, which replace the joker.

Estate Playing Cards with five suits designed by Keith Wilson, 2006

The fifth Estate, called Waves, represents signals put out by various media. The symbol is a graphic of a transmission wave. Most existing card games can be played with an estate deck. Some remain virtually unchanged while others require modifications. The family cards generally hold a value of ten, although in certain games Man may be eleven and Woman twelve. Aces are high or low usually with values of 11 or 1 respectively. In games such as 500 and Poker, estates from highest to lowest are Waves, Hearts, Diamonds, Clubs and Spades. In Bridge the estate order is Spades, Hearts, Waves, Diamonds, Clubs.

Above: Estate Playing Cards published by Vasey Corporation Pty Ltd Queensland Australia, 2006. Cards printed in India by The Ace Card Company [www.playingcardsindia.com]. 60 cards + 2 extra cards + leaflet in box.

REFERENCES

Estate Playing Cards website

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By Simon Wintle

Spain • Member since February 01, 1996 • Contact

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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