Wüst “Encyclopedic Tarot”
“Encyclopedic Tarot” by C. L. Wüst with “bourgeois” views of life on the Trumps.
“Bourgeois Tarot” by C. L. Wüst
The double-ended, French-suited Encyclopedic Tarot or Bourgeois Tarot originated with C. L. Wüst of Frankfurt in c.1865. It has scenes of well-to-do European “bourgeois” views of life on the Trumps, in an engraved gothic style and with large Arabic numerals at the top & bottom of each trump. This pack inspired other makers to imitate the pattern or to introduce variations on the theme. It is more popular in France for playing games than the Tarot de Marseille.
This tarot produced by Wüst became a great classic. The date of its design can be estimated from the 4 of trumps which depicts a bookkeeper with a calendar dated 1865 on the wall.
Above: Encyclopedic Tarot by C. L. Wüst, Frankfurt, thick paste-board cardstock, c.1890. 78 cards. The Ace of hearts has the German tax stamp from that period, and the Ace of diamonds has the Wüst trade mark. The court cards and numerals have no corner indices, which were added to later editions. Images courtesy Lauren Forestell [the Game of Hope].
Note: C. L. Wüst (1811-1927) was eventually taken over by the Vereinigte Altenburger Stralsunder Spielkarten Fabriken AG (V.A.S.S.), Altenburg (1931-1945), who from time to time made use of the old designs and plates.
REFERENCES
Shaw, Martin & Symons, Paul: Playing cards from the factory C.L.Wüst, Frankfurt, Germany (1811-1927), Catalogue of the exhibition held at the Nationaal Museum van de Speelkaart, Turnhout, Belgium, 23 September-31 December 2005.
See also: Bourgeois Tarot by Grimaud • Bourgeois Tarot by V.A.S.S.
By Simon Wintle
Spain • Member since February 01, 1996 • Contact
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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