South American Costumes

Published June 16, 2023 Updated June 16, 2023

Costumes of people of Brazil, Peru and Mexico, with views of Rio de Janeiro on the aces.

1860 GermanyLatin AmericaEthnic & IndigenousFashion & CostumeHispanoamericanaWüst

The court cards in this double-ended pack of 52 playing-cards produced by C. L. Wüst of Frankfurt am Main are figures of people of Brazil, Peru and Mexico, and on the aces are views of Rio de Janeiro, with titles in Portuguese. The four kings have borders decorated in the same style as the kings in the Hamburg deck made for Hanchen Rübcke (also by Wüst). The C.L.Wüst six-pointed star motif can be seen on the jack of clubs.

© The Trustees of the British Museum

Above: uncut proof sheet with four aces and twelve court cards, the latter illustrating the costumes of South America. © The Trustees of the British Museum • Museum number 1896,0501.1193


The Four Aces

The aces have different topographical or historical views in the vicinity of Rio de Janeiro at each end.  (click to flip the images).

© The Trustees of the British Museum

Above: uncut sheet with four aces lacking suit-marks from a collection of engraved working proofs. © The Trustees of the British Museum • Museum number 1896,0501.1215


References

British Museum: figures of people of Brazil, Peru and Mexico

O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, Trustees of the British Museum, London, 1901 (Sheets German 44 & German 222) [digital version here]

Thanks also to Paul Symons for additional research.

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By Simon Wintle

Spain • Member since February 01, 1996 • Contact

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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