Litografía Fabbri, Lima, Peru, c.1900-20
Litografía Fabbri, Lima, Peru, c.1900-20, printers of cigarette insert cards for tobacco companies.
The Italian engraver and printer Carlos Fabbri (1867- ) studied art & design in Italy. In 1887 he moved to Peru and commenced his career as artist & designer for the journal El Perú Ilustrado in Lima. By 1888 Litografía y Tipografía Carlos Fabbri, Lima, Peru, was set up in Calle Mercaderes 140. Having acquired the most up-to-date printing machinery from Italy they soon became leading book publishers and printers of postage stamps, maps, colour labels, posters, cheques, share certificates and, amongst other things, cigarette insert cards for tobacco companies during the period 1890-1920 (approx). Fabbri's artistic and industrial work was awarded gold medals at exhibitions in Paris, Milan, Madrid, London (1906) and Lima (1910).
Above: cigarette insert playing cards for "La Mutua" tobacco company printed by Litografía Fabbri, Lima, Peru, c.1900 using a decorative version of the Spanish Cadiz pattern. The printer's name appears at the bottom left-hand corner of each card, whilst the reverse shows an advertisement for "La Mutua" tobacco. The central coin of the five of coins shows a coat-of-arms of Peru, whilst the four of coins shows a basket of flowers, a motif often seen on Belgian-made Spanish cards.
Below: cigarette insert playing cards for Roldan y Cía's "El Perú" cigarettes printed by Litografía Fabbri Hnos, Lima, Peru, c.1895 using the same designs as above with extra inscriptions added below each card.
By Simon Wintle
Spain • Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
Activity for Litografía Fabbri, Lima, Peru, c.1900-20
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