Rufford Playing Cards
Rufford playing cards is one of several brand names used by Boots for their stationery department, and probably the most popular.
Rufford playing cards is one of several brand names used by Boots for their stationery department, and probably the most popular. Rufford playing cards came in several different styles of box, ace of spades and jokers over the years, all specially manufactured by Thomas De la Rue & Co. Some editions were linen grained, some had gold edges. As a rule the back designs were decorative patterns and did not advertise Boots. Rufford refers to the estate in the village of Rainworth, near Mansfield in Nottinghamshire, the site of a coal mine named Rufford after the estate. The Boots products were named after areas of Derbyshire and Nottinghamshire, so another card brand was Chatsworth and yet another was Pelham, also in Notts. Boots was based in Nottingham.




Above: examples of the earliest version of the ace of spades and joker. Most of the back designs were available in red or blue.

Above: Top: earliest smaller courts (GD11) with white on QD's shoulder, c.1932-35. Bottom: large courts still with later Q-index, DLR joker and 1935+ bridge score, 1935-39. Images courtesy Ken Lodge.

Above: earliest Q-index, Goodall anonymous ace of spades, c.1926-30. Images courtesy Ken Lodge.

Above: Rufford boxes. Image courtesy Matt Probert.

Above: a print run (by Waddington) found in WCMPC packs of 1944 & 1945, so probably c.1946. Images courtesy Ken Lodge.


Above: first version of the ace of spades still in use with standard De la Rue joker, c.1950. Images courtesy Matt Probert.

Above: the second version of the ace of spades, 1950s. Image courtesy Matt Probert.

Above: Waddington printing with their anonymous ace of spades, c.1958. Images courtesy Ken Lodge.

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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