After taking over from his father Jacob in 1837, L.P. Holmblad mastered the
techniques and kept abreast of new production technologies. Possibly due to pressures of market competition, he
began to innovate and had new designs drawn. He departed from the traditional animal images on tarok trumps which his father had employed and
substituted images of buildings from Copenhagen and the surrounding area, mainly churches and castles.
The deck had several editions (at least 4), with each new edition updating the latest changes to the buildings that had
taken place since the previous edition. This tarok deck was continued by S. Salomon who were Holmblad's successors at the end
of the century see more →
Above: cards from an early stencil-coloured Tarok pack made by
L. P. Holmblad in c.1850. Holmblad was the most important card-producer in Denmark and
became a household name. This design had several editions and this is the only one with six full-length images on the trump cards.
The Roman numerals on the trumps were replaced by Arabic numerals, and the trumps became double-ended.
Hinrup, Hans J.: The Holmblad Playing Card Patterns, in "The Playing-Card" vol.33 no.4, IPCS London, Apr-June 2005.
Hinrup, Hans J.: L.P. Holmblad - Danish Playing Card Maker: The Tarok Packs,
in "The Playing-Card" vol.31 no.5, IPCS London, Mar-Apr 2003.
Jensen, K. Frank: French suited tarot packs in Denmark and the Jacob
Holmblad Animal tarot, in "The Playing-Card" vol.36 no.3, IPCS London, Apr-June 2008. [download here].