Costumes of Turkey Tarot
‘National Costumes of Turkey’ tarot by Industrie Comptoir, Leipzig, c.1800-1825.
The superb designs on these tarot trumps and the 16 court cards in the pack are whole-length coloured figures of men and women in the national costumes of Turkey, with large inline roman numerals in the spaces at top and bottom of the trump cards. The (unnumbered) Fool card is a dancing harlequin with cymbals (from Commedia dell’Arte). The numeral cards are French-suited with no illustrations, just plain pips. Each costume card has a description printed down the sides.
The cards are contained in their original box with the title "Extra Feine Tarok-Karte mit Türkischen Nationaltrachten. Leipzig im Industrie Comptoir". In his PhD thesis Ömer Parlak, (2019, p.10) notes that “the image of the Turk has never been a static one: on the contrary, it has evolved and gained different meanings throughout its history in Europe”.
The Court Cards
Lettered at the feet of the knave of clubs (bottom left) is the name of the engraver Heinrich Müller: "H. Müller fec."
Above: cards from ‘Costumes of Turkey’ tarot by Industrie Comptoir, Leipzig, c.1800-25. 78 cards; hand-coloured etching; backs printed in blue with a pattern of joined hexagons, each with a dot in the centre. © The Trustees of the British Museum • Museum number 1876,1014.1134-1210►
References
Parlak, Ömer Fatih, 2018. The image of the Turk in early modern board games and playing cards, doctoral thesis, Universitat Autònoma de Barcelona, 2019.
Willshire, W. H.: A Descriptive Catalogue of Playing and Other Cards in the British Museum, (German 272), Trustees of the British Museum, 1876, reprint 1975.
By Simon Wintle
Spain • Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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